#i watched the first 4 episodes of s&b season 2 and i am so disappointed

[soufflegirl]

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[why-this-kolaveri-machi]

chin fucking up, amigo.

Titans 3.02

... eh?

SPOILERS ahead.

1. you know that music video for billie jean where michael jackson would dance along the pavement and the tiles would light up under his feet in different colours? yeah? me too.

titans hasn’t met a table top or a support arch that it doesn’t want to light up in a headache-inducing blue like the world’s most boring nightlight. i mean, i’m not an expert on lighting or cinematography or just... colour by any means, and the quality of the video i’m watching is poor given that i can’t access hbo max, but all the orange and teal and neon is making it very difficult to really differentiate between say, the batcave and the gotham police department and hell, the titans tower. i feel like there’s oftentimes a gap between idea and execution with titans, with gotham being this almost otherwordly hellscape with an aesthetic pulled from a gothic horror novel, but the colours and design just... leave it flat and dark and dull.

1.5. like what really frustrates me is that titans has a delightful mix of tones--the fights often remind me of schumacher-era batman camp, with the contrived quips and the start-stop rhythm and krypto just sallying in and ending the fight with a fucking SuperBark (tm) but in the same episode you have red hood just casually pulling out severed heads out of a duffle bag and desperate people blackmailed into killing themselves out of drug overdoses. I MEAN. it’s wonderful! but it looks all the same. it sounds Absolutely Bonkers on paper but on screen both Quip and Murder happen in the same washed-out blue and i wanted to be excited about the batcave, dammit!

2. things re: red hood have happened at such a breakneck speed that it feels like there’s so much that’s happened off-screen that we’re not privy to. a real proper mystery! 

things that are intriguing about the red hood arc so far:

a) what was that chemical he huffed just before going to fight the joker? is it a regular old performance/adrenaline booster or is it something more lazarus-juice adjacent? if it’s the latter, i can’t imagine he got that much information from a lone chemistry textbook. and where is he getting the resources to set up his little chemistry lab? is somebody else orchestrating things behind the scenes?

b) the red hood persona, costume and mask, plus the elaborate plan he’s putting in place to both string along gotham’s rogues and enact his revenge against the titans seems too... fully-formed and elaborate to have been concocted in just a few days. how long do you think jason’s been planning this? just... stewing in resentment and building rage, dismissed and passed around and underestimated and realising that the power he thought he would get by being robin is no power, no protection at all, but something that’s left him even more vulnerable than before? 

c) do we think that the scarecrow is at least partly behind this transformation? because yes, it was batman that set up this whole hannibal lecter-esque situation with him, and he would be irresponsible enough to have jason-as-robin go talk to him regularly regarding “~profiling~” criminals. it’s not too far of a leap to assume that scarecrow could’ve been manipulating jason at a very vulnerable time, and that he could’ve passed along some of his chemistry know-how, too.

d) ... or fuck, i wouldn’t put it past titans to introduce ra’s al ghul in a fucking ten second aside

e) anyway, the thing that won’t leave me alone is jason seeking out the joker not necessarily to fight him, but to orchestrate his own death. the whole thing has to have been part of a bigger plan. he broke batman with it, after all. and he’s starting to break the titans, too.

f) i love it! i mean, it does re-tread some of the storybeats we had with deathstroke last season (turning the titans against each other as revenge, etc) but it’s... tighter, this time, and at least for now seems better-executed. and as a red hood story it’s different enough to be really interesting, and i appreciate the ways in which its reframed the revenge story to focus on the titans rather than just the batman. like fuck everything up, i say! turn it on its head! slash the innards out of that sacred cow and strew it like garlands in the path of the Story You Want To Tell!

(and yes i am fully aware that by the time i post this review, there will be a whole lot more information out but if i come across like a fool then goddammit i will be a fool!)

2. i love how every season of titans starts off with, ‘oh dick, you thought you were settling into a role and a life and a pattern of relationships? well fuck you, here’s a terrible and traumatic thing, tons more responsibility, and circumstances that will lead you to uproot your entire life and move somewhere else.’ and dick’s just like, ‘well, ok. fuck you, but all right’.

can you imagine? the man was just settling into leading a team in sf and smiling for the first time in years, and now he has to deal with jason’s death, bruce experiencing a full fledged breakdown, coming back to a city that represents more bad memories than good, red hood, and a frightening new case that seems to be targeting him and his team. it’s a testament to dick’s growth that he’s not reacting to this stress like he did last year, shutting everybody out, making irrational decisions and experiencing sharp, short bursts of anger. (not to mention a full fledged psychotic episode.)

2.5. but i’ve also talked about dick performing a fair amount of unwarranted emotional labour for his team(s) in that he just lets them take out their frustrations on him and... does nothing. be it his team exploding at him for jericho (both in flashback and present-day) or donna and hank needling him for handling deathstroke poorly or barbara berating him for not handling the bank situation as well as she thought batman would though just the previous episode she had talked about how fucked up it was that bruce just expected dick to step up and replace him in gotham without any real notice. i mean it’s all perfectly understandable and sympathetic from their end--and i’m not trying to bash them here!--but hank, my man, the same chin you’re asking your amigo to keep up is the one that you punched last year and never apologised for. just sayin’.

2.75. @superohclair did a wonderful breakdown of what the ‘fear’ contract could imply here and there’s not too much i could add to that. it’s just really interesting that fear ended up being such a defining feature of their lives, albeit it’s the fear of seeming less than invincible in the face of bigger, more tangible fears. am i making sense?  dick feared loss, and abandonment, and the more existential concept of turning into something that he didn’t want to. bruce so feared being alone that he’s scouting kids to replace robin within days of jason dying. 

it also goes some way in explaining the tense sort of... restraint that bruce and dick show in the wake of loss and tragedy, like anything less than complete control of your emotions can lead to tragedy. it’s conditioning that dick couldn’t shake off when he was at his lowest in detroit, hating his legacy but unable to let it go either.

2.775. but i definitely appreciate the softness that dick displays with his team now, checking on them after a mission-gone-bad, welcoming back old members with no caveats or resentments (and kory’s delight in seeing hank back! hank and dick hanging out together and hank trying to prop dick up!), and appreciating their teamwork in solving cases. that’s always been the essence of dick as a person, and the beating heart of this show: flawed and traumatised people coming together to a place that will always be open to them, where they can be their worst and be supported still, allowed to make mistakes and grow from them. that’s family.

2.8. coming back to bruce for just a sec, it’s interesting how that gotham rogue was so certain when he said that ‘batman doesn’t kill’ but it’s not a rule that either jason or dick put much store by when they were robins. the ‘no-killing’ rule clearly didn’t mitigate dick’s fears about turning into batman and jason’s never been seeing giving two shits about it. it seems to me of a piece with bruce’s distant, second-hand sort of parenting that we see in dick’s flashbacks from s1 where the fear was never about personally disappointing batman, but taking lessons from him on finding a place in gotham’s hellish ecosystem and surviving.

3. kory having waking flashbacks! i don’t buy the bullshit parasomnia episode explanation from fake!HPG (because c’mon, justin has to be some sort of tamaranean ruse) because for one, you have to be actually asleep for that diagnosis. 

(and here i was, hoping against hope that HPG would actually end up as the team’s therapist)

curiouser and curiouser! i wonder if these flashbacks are from the time between kory landing on earth and the beginning of season 1, when she was completely amnesiac? it’d be cool if the show was considering repercussions from that time, and if kory hasn’t gained all her memories back. 

4. i just love the vibes between gar and conner and kory. gar Having Things To Do is only one part of my wishlist for him, however: other parts include having an actual story arc, and actually bonding with members who are not conner and kory. (dick! dick! hank! dick!)

anyway. time to move on to watching ep3 and seeing this family bond and nothing terrible and tragic happening at all, nope, nosiree. 

[butterflymar]

DAY 2: FAVORITE BL DRAMA

I have quite a few... I can’t choose just one so bare with me lol

Life Senjou No Bokura

Synopsis According to MyDramaList: One day after school, the serious Ito and the child-like Nishi meet by chance, as each endeavors to remain walking  on the sidewalk`s white line. As time goes by, Ito recognizes he is drawn to Nishi in a way that is new to him. Nishi, for his part, is frustrated that they only get to meet on the sidewalk. Ito decides to act upon his feelings and kisses a surprised Nishi, who agrees they need to walk side by side for a change. The sparks between them are undeniable as their relationship blossoms in high school, survives the college years, and matures into adulthood. A deeply moving work that bears witness to loving partners, whose unchanging feelings must co-exist within a world of changing realities.

My Personal Thoughts: I already wrote a review for this so I am going to re-share some of those thoughts here. This is one that I have watched countless times already. They went by the manga for mostly all of the episodes and I appreciated seeing that. They gave more context for certain details that may have been lost while reading the manga and translated it to screen. I think they depicted the age gaps well too. For 4 episodes only, I feel that they did a great job including the most important aspects. Actually now that I think of it, I would have loved to see more of them in their early 20s depicted on screen because that was like one of there honeymoon phases and I’m a hopeless romantic lol but that’s just a personal preference not complaining. Also, the show stopped at age 40 and they could have gone on throughout there entire lives but I understand why they chose not too. The manga is great as well!!! I think that the main actors depicted beautiful true love very well. They had amazing chemistry. Japanese BL’s have that special spark about them that I love. I also loved that it showed there relationship from high school till there later years. I don’t see that a lot with BL’s. They usually just stick to one time period. The aspect about them being connected by a line in relation to there love was a nice touch as well. I am glad that it has a happy ending as well. This is a pretty quick one to watch and a great one at that!!! If you haven’t watched it yet, I would highly recommend it!!!

I Told Sunset About You 

Synopsis According to MyDramaList: Teh and Oh-aew were best friends until a boyhood line of reasoning turned them into rivals. Years later as they're preparing for university admissions, both pursuing interests in the field of Communication Arts, the two meet in a Chinese language class. Their reunion awakens complicated and unstable feelings.

My Personal Thoughts: Same as above, I already wrote a review for this so I am going to re-share some of those thoughts here. This is DEFINITELY one of my top BL shows of the year 2020. This is such a beautiful masterpiece of a show!!! I remember when the preview trailer first came out… I was already hooked!!! I was on the lookout for it and it did not disappoint me one bit when it finally started. I looked forward to seeing it every week. It made me feel all of the emotions. I was up here sitting in my room crying over everything. I don’t think any other BL has made me this emotional before in my life. The two lead actors really DELIVERED!!! I could feel every single stare, every single body movement, and every single touch. You could cut the TENSION with a knife!!! No one couldn’t tell me that there wasn’t a magnetic true love between these two. I know this sounds cliche but it's like they were destined to be together from when they were childhood friends. Also, I would love to see them in future projects!!! The cinematography in this show is TOP FREAKIN NOTCH!!! Every single scene is just so beautifully shot. The cinematography alone makes me want to cry lol I saw somewhere that someone said the filming of the show reminded them of an indie film and I totally agree!!! The writing and directing on this show was impeccable to me!!! No cringy dialogue and every single line served its purpose well. This is movie grade writing. I also wanted to quickly just say that I loved the attention and callback to details throughout like with the tutoring book that Teh made for Oh-aew that was left empty by the end of episode 4, the flower that was supposed to be colored the same as Tan’s garment but Teh colored it red because he was thinking of Oh-aew, the rubbing of Oh-aew’s back when he sniffles, the references to Teh’s favorite actor, and the use of Chinese phrases to get meaning across. I could go on and on but wow I just loved how they really connected all of the details throughout. I can’t wait for Season 2!!!

Theory of Love

Synopsis According to MyDramaList: Third is a filmology major and a member of the Savage Team along with his best friends Two, Bone, and Khai, but he has a secret. Third has been secretly in love with Khai for years. For three years, he has kept his secret love in his heart, silently supporting and loving Khai while knowing there is absolutely no future between them since Khai is as straight as a streetlight pole and also an absolute player. To make matters worse, Khai has a "no dating friends" policy. How long can Third love Khai silently while watching Khai bring a different girl home every night? Third has tried to see Khai as just a friend. But has failed time and time again. Because as easy as it is to fall in love, to stop is just as hard.  Maybe even harder. That is until Third learns a secret that breaks his heart completely. But when Third decides to stop, Khai decides to start.

My Personal Thoughts: As sad as this show can make me feel at times, I love rewatching it. I still to this day think that it is one of the most well written BL’s that I have seen. Everything flows nicely and everything connects. Your not left wondering how you got from point A to point B. I thought the show had great character development especially when it came to Khai’s character towards the end of series. I know a lot of people had mixed feelings about his character due to how careless and dare I say stupid he acted at times but if he can make the audience hate him that much as a character... I would say he is doing something right!!! Gun’s acting never fails to amaze me!!! He really is one of the best actors I have seen. I know he had to be drained from all of that crying that he did throughout the show though lol It just goes to show that when you truly love someone you can’t just stop what you are feeling inside that easily no matter how the other person feels about you or treats you. As the old saying goes, love is blind. I also loved the friend group as well and Two and Bones side stories with the teacher and crush from school. They added to the shows greatness and didn’t take away from it. The friendship dynamics throughout the show was I feel something that really kept me engaged. The cast acted well together. There was no awkwardness or hesitation. I feel everyone bought there best for this drama. They incorporated the movie references so cleverly and I love how the title of each episode was the title of a real romance film. Just the overall theme of film was very intriguing to me. This drama left me filled with heartache and a rollercoaster of emotions but the ending is worth it!!!

HIStory3: Make Our Days Count

Synopsis According to MyDramaList: At first glance, high schoolers Xiang Hao Ting and Yu Xi Gu appear to be polar opposites: While Xiang Hao Ting is an outgoing, hot-headed extravert and some-time bully, Yu Xi Gu prefers to keep a low profile and focus on his schoolwork. They seem bound for totally different futures – the bookish Yu Xi Gu looks destined for academic success, while life is just a long popularity contest for Xiang Hao Ting. But a quirk of fate – and a crucial intervention by a female schoolmate – results in the two young men’s paths crossing. But there is more to both young men than first meets the eye. Xiang Hao Ting was not always this way. He started out as a perfect student until he discovered the joys of going off the rails. And Yu Xi Gu has a reason for being so aloof and studious: His parents died in a traffic accident while he was younger, and he is being fostered by his aunt. As such, he works hard to get good grades in an effort to win a scholarship and ease the financial burden on his relatives. Yu Xi Gu also works part-time at a convenience store, where his manager Liu Zhi Gang has developed a crush on a man he has met at the gym. Back at school, meanwhile, Yu Xi Gu and Xiang Hao Ting find themselves drawn together, and passions ignite. The former notices that he has the unique ability to bring Yu Xi Gu out of his shell – and becomes intent on melting his cold-as-ice exterior. What will happen when their two worlds collide? And can love be the catalyst that helps bring these two unlikely students together – as their high school days draw to a close?

My Personal Thoughts: I will stand by this notion for all of my days but this show is one of the best shows I have seen PERIOD!!! Not even best BL shows I have seen but just in general. It highkey saddens me that it is rated at an 8.1 right now on MyDramaList due to how it ended when other than that... it’s a top notch show. This was one that I watched as it was airing and I would get excited to see it every week. My clown self should have known by the title “Make Our Days Count” that some mess was about to occur but I didn’t pick up on it. Now, I just disregard the last episode (WE DON’T KNOW HER!!!). You can just tell that they had a great budget for this series. The production was on point. It had great cinematography, great storylines, and it felt realistic too. The main couples acting was OFF THE CHARTS AMAZING. I loved the whole opposites attract thing going on. Although the show was set in high school... it almost didn’t feel like it nor did it have those typical clichés going on. I liked how it dealt with topic of LGBTQ+ acceptance as well. I wasn’t so sure about the side couples relationship at first but I grew to love them as time went on. One last thing I wanted to point out was that even though I am always looking for a happy ending... I learned from this show that not everyone can get a happy ending. That’s not how life works sadly. In real life, there have been a lot of people who were truly in love and lost there partners tragically. Although it may be hard to accept the outcome, it is something that happens in real life. This is a drama that you appreciate even more as time goes on. It truly is a gem of a series!!!

TharnType

Synopsis According to MyDramaList: Type Thiwat is a handsome freshman with a passion for football and spicy food. Although he’s a friendly boy, he hates gay people because, in his childhood, he was molested by a man. His life turns upside down when the new academic year of college brings along a charismatic roommate, Tharn Kirigun. Tharn is a gorgeous, compassionate music major, who is also openly gay. When Type learns this, he is determined to make Tharn leave the dorm, as he won't live with a gay person. Tharn is equally determined not to give into Type's homophobic tantrums. With a gay guy and a homophobic guy that have to share a small space together for the rest of the year — what can possibly be the outcome of their story? Hatred? Or maybe love?

My Personal Thoughts: *Goes to hide in a corner* I know this drama is problematic and controversial as hell but it’s like a train wreck that you can’t turn  away from. What truly carries the show I feel is the chemistry between MewGulf. I don’t think I would have enjoyed the series as much if other actors were cast in those roles. They just exude confidence, passion, love, and lust. In terms of the storyline, I found it to be a chaotic occurrence of situations where I just had to know what was going to go on next. Everything that occurred had me intrigued for the next episode and so on and so forth. I loved Type’s character development. One quick thing I want to touch on was I know there were a lot of problematic things that happened which I will touch on at a later date but one thing I wish people were more understanding of was Type’s outbursts, thoughts, and feelings in certain situations. He was a victim of sexual assault so I felt the way he handled certain things was in response to what he had gone through as child and I think some viewers kind of missed that and were almost too harsh on him. Everyone processes and deals with trauma differently. This show went through so many twists and turns and I honestly lived for it especially the shocker towards the end of the series. I didn’t see that one coming at all!!! Despite all of its flaws, this show still holds a special place in my heart.

Honorable Mention:

Cherry Magic: As of today, this show has 4 episodes left and I think I am just going to come out and say that THIS IS MY FAVORITE BL OF THE YEAR!!! It’s a beautiful Japanese BL and I rewatch the old episodes while I wait for new ones to come out alot. It’s such a fluffy, heartwarming, and precious Bl series!!! I love it to pieces!!!

[grrlinthefireplace]

Hey so I’ve been seeing you post a lot about La Casa de Papel recently. What exactly is it? It looks kinda interesting.

Thank you so much for asking!

I am delighted beyond reason to have the opportunity to tell you - and by extension the entire world - why this show has cleared my skin, watered my crops, and legitimately healed my soul after this particularly soul-crushing season of Grimdark White Man Television almost broke me as a human being.

I will attempt to keep this as spoiler-free as I possibly can, because this is a show that should be experienced in the moment, but in a nutshell, La Casa de Papel is a heist show set in present-day Madrid which follows both a found family of thieves who rob the Royal Mint of Spain, and the law enforcement officials on the outside who are chasing them.

If that is enough for you, go right to your TV or computer, fire up the ol’ Netflix, and don’t waste any more time.

If, however, you need a little more, here are the top five things I flail about to every single person in my life to convince them they need to start watching this show like immediately and then come back and tell me all about it.

For visual flair, we’ll intersperse them with some gifs of ladies, because I know my audience.

5. character driving plot > plot driving character.

You know that infuriating thing lazy TV writers do where, in order to to hurry up and get to the big explosion or battle scene or dragon attack or whatever, which is the only bit they really care about, they handwave away the whole concept of motivation and make some character do something that any halfway-attentive viewer will immediately clock that they would never actually do?

There is none of that bullshit here.

In its simplest form, the plot of La Casa de Papel is as follows: a brilliant criminal mastermind devises a heist which cannot possibly go wrong, and then we proceed to watch all the ways in which it goes wrong.

This is a fantastic setup for an action story, made even more breathlessly exciting by strategic use of my favorite heist movie plot device (as perfected by Ocean’s Eleven): namely, “scene where it looks like our crime heroes have been outsmarted and are now threatened by a completely unforeseen disaster” immediately followed by “flashback to the team prepping for the heist where we learn that of course they prepared for this exact scenario.”

But from time to time, things do actually go wrong (as they must, or else there would be no story); and, when they do, it is never because you can tell a writer just wanted to write a scene where bullets go flying, and didn’t care how he got there. These characters are so clear, their behavior so consistent, that when gasp-worthy plot twists happen, they happen because of course that character, in this exact scenario, would do that exact thing.

I’m telling you, I came to this show for a ship (more on that in a minute) and I stayed for a swooning, heart-eyes writer crush on the impeccably-designed plot structure and characterization.

4. High stakes, low gore.

Tone-wise, on a sliding scale of Heist Film Intensity where a really fluffy episode of Leverage is a 1, Reservoir Dogs is a 10, and the Ocean’s franchise is somewhere in the 3-4 range, I would place La Casa at a 5 or a 6, which is perfect for me. I love action, suspense, drama and adventure, but I hate gratuitous violence (especially when it’s pointless and masturbatory and doesn’t contribute anything to the plot) and have a very low tolerance for blood and gore. So I kept waiting for the story to eventually take a hard left turn into Tarantino Land, until eventually it was all just one huge pile of dead bodies, and was genuinely surprised when it didn’t.

This is how I learned just how badly my brain has been fucked up by lazy showrunners who think shock deaths are the only way to raise stakes. During the first season of this show, before I had figured out that it was a Flawless Gem of Television Which So Far Has Not Once Disappointed Me, there were probably a dozen moments where I was absolutely convinced that some character was about to be gruesomely killed for shock value … and I was wrong every single time.

Reader, it was fucking wild.

Every single time I was convinced that person A was going to shoot person B in the head because blah blah maximum angst over here in this part of the story and then it will motivate person C to do this other thing, the show did the hard work of finding a smarter, more unexpected direction to take that character’s story. That means that when deaths do come along - and there are a couple - they feel genuinely earned, and they matter deeply to the story and to us.

3. I would die for these women.

This show loves women. Like it truly, authentically, uncompromisingly loves women in all our fucked-up messy glorious complexity. There are no “types” or cliches here; no one is forced to be only one thing. Fuck your one-dimensional Strong Female Characters, lazy writers.

For one thing, on many shows you might be lucky if you get maybe one mom who is given a personality and a story outside of motherhood. Often, on shows written by men, the fact of her motherhood diminishes her strength or her agency. On this show, nearly every one of the central female characters is both a mom and an action hero simultaneously. Seriously. By season 3 there are four different battle moms. They’re all different, they’re not all on the same side, they have different perspectives, and their role as mother impacts the story differently, but that’s the joy of having a whole lot of different kinds of women - no one has to be everything to everyone.

These women are complicated. They laugh, they cry, they crack dirty jokes, they get laid, they have babies, they fight, they make mistakes, they fall in love, they grow. Men pull sexist shit and they shut it the fuck down. Some of them have love stories, some of them don’t, but they are never defined by or triangulated around relationships with men. They get to have relationships with each other. All of them are excellent at their jobs.

Tokyo is the kind of hot mess antihero protagonist we’ve been watching middle-aged white men play for decades.

Allison is such a realistic teenage girl it’s genuinely painful to watch.

Monica has one of the best arcs I’ve ever seen on television, this is not a drill.

Alicia is terrifying. (A pregnant black ops interrogator! ON WHAT OTHER FUCKING SHOW!?!??)

Nairobi is unlike any other character you’ve seen on TV before; she’s got a little bit of Parker from Leverage, a little bit of Raven Reyes from The 100, but she’s entirely her own creature and you will fall in love with her instantly.

And Raquel. Oh, my love, my angel, my hero, Inspector Raquel Murillo. Love of my goddamn life. A fierce, kickass hostage negotiator swimming upstream against a tide of workplace misogyny who sometimes has to make the frustrating little male-appeasing compromises we all have to make to get through the workday. A beautiful, sexy, powerful heroine over 40 whose femininity isn’t diminished based on some bullshit notion that, for example, pairing your tough-bitch suit and gun holster with red toenails and a lacy blouse detracts from your strength. A loving mom and daughter who has to juggle raising a small child and caring for an aging parent with the stress of, you know, trying to stop the biggest robbery in the history of Spain. A domestic violence survivor (TW for those who need it; nothing is ever shown onscreen, but it’s discussed several times) who is given the space to discuss the things that have happened to her and how she has worked through them with such dignity, accuracy and respect that you can tell the writers did their homework.

This is a show where you can tell there are women in the writers’ room.

2. The Professor and Raquel. I don’t want to spoil a single thing for you here except to say that I myself was lured into this show by the promise of electric sexual chemistry between a criminal mastermind and the police inspector hunting him down, and my God I was not disappointed.

1. Love.

This show came into my life at a period where I was so weary of cynicism on television - so fucking furious at showrunners who dangle hope in front of us and then crush it, who only care about building anything if they can tear it down later, who treat love and fun and joy and hope and family and happiness like they’re intellectually lesser than grimdark nihilism with no soul - that I was honestly kind of broken by it. I was just so. fucking. tired. Tired of “the way we show this heroine is strong is to kill off her love interest.” Tired of “sorry but all this rape and murder is NECESSARY because of REALISM” (particularly rich when coming from shows featuring evil A.I.’s or dragons and ice zombies). Tired of getting invested in relationships - whether ships or friends or found families - only to realize that the show I was watching was always going to sacrifice character to force plot mechanics into place, and those relationships were never going to get the kind of care and focus I wanted them to get.

But that is not this show.

The single most revolutionary thing, to me, about La Casa de Papel - the thing that sets it apart from every other rollercoaster action thrill ride on television - is that every single thread of the plot is tied to love.

Every.

Single.

One.

Love of all different shapes and sizes - parents and children, friendships, doomed crushes (straight and queer), toxic exes, blossoming romances, siblings - and over it all, a deep, deep love for humanity.

The thing I said before, about how when things go wrong they go wrong in character-driven ways? It’s this. Love is why everything on this show happens. Love is what makes children want to live up to their parents and what makes parents fight to leave a better world for their children. Love is why deaths have stakes. Love is why we spend so much screentime lingering on small moments another show might ignore, like all the thieves at heist camp sitting down every night to have dinner together and argue about paella techniques. Love is what causes chaos in the middle of the heist; when there’s one person in the room you care about more than the others, you can get distracted and take your eye off the ball. Love is how your enemies can get to you, by leveraging or blackmailing the people who matter most, knowing that you’ll crack if they’re in danger. Love, gone wrong, causes toxic men to develop possessive and controlling behavior towards women. Love is how the Professor gets the idea for the heist in the first place. The plan is flawless on paper, but it doesn’t account for the human variable, and over and over again we see that relationships and connection and sex and family and love cause people to behave in unpredictable ways and throw the whole plan into chaos, which is what makes for a dynamic and compelling story.

How refreshing to see a show simply refuse to grant the oft-repeated premise that a show cannot have both high-octane thrills, and a big soft squishy heart, at the same time.

ANYWAY, I’VE TAKEN UP ENOUGH OF YOUR VALUABLE TV-WATCHING TIME, GO JUMP ON BOARD THIS TRAIN AND COME SCREAM ABOUT IDEALISTIC SPANISH ROBIN HOODS WITH ME, AND LET THE GOOD SHIP SERQUEL INTO YOUR LIFE, YOU WON’T BE SORRY

THANKS FOR COMING TO MY TED TALK

[tvobsessed96]

Top 10 TV Episodes of 2019

10. Marvel’s Runaways- Season 3, Episode 10- “Cheat the Gallows”

I’ll be the first to admit that Runaways is not a perfect show. I didn’t like season 1 all that much, mostly because Pride’s motivations and ultimate goals were too poorly defined for my tastes. I’m not expecting a big expositional villain monologue, but I at least need to understand what the villains are trying to accomplish and why. Otherwise, it’s hard to get emotionally invested. Having said that, season 2 was a marked improvement, and I wound up falling in love with this scrappy bunch of kids anyway. Which makes it all the more disappointing that the season that proved Runaways could be something great if it tried ended up being its last. I enjoyed season 3 a lot. The writing was better, the performances stepped up to match, and as annoyed as I am that the evil alien family trying to kill everyone plot was dropped unceremoniously without a satisfying explanation partway through the season, the battle with Morgan le Fey was filled with enough danger and tension to make up for it. But rather than choose that climactic battle as my entry for this list, I went with the messy, emotionally fraught aftermath. “Cheat the Gallows” could have been a simple, somewhat patriarchal story about a man going back in time to rescue the woman he loves, but it ended up being about a family clawing its way back together after wrestling with a shared trauma. Which, come to think of it, is pretty much exactly how the show started! Talk about coming full circle. The episode also ended up being a bit of a meditation on time itself, as the older versions of the Runaways contemplate the fact that Gert’s death led them down the paths that made them who they are. Once that’s erased, so are they. This realization gives the Runaways, mostly Nico, a chance to think about what they would have done differently, leading to a powerful scene in which Nico talks with her past self and pleads with her not to make the same mistakes she did. I bet we’ve all wished we could do that at one point or another. I also like that the episode ends with the sense that, with Gert saved, the Runaways might just be okay. Even if the note left for Alex by his murderous older self adds an ominous note to the whole thing.

9. So You Think You Can Dance- Season 16, Epsiode 15- “Live Finale Winner Announced”

So You Think You Can Dance continues to be the best reality competition show no one’s really talking about. Cat Deely has been robbed of her Emmy for best host too many times, but I digress. This show is always the highlight of my summer, and season 16 was no exception. Another season of amazing choreography, amazing performances, and a truly deserving winner that I can’t really be mad about, even if I was rooting for other dancers just as much. It was another really fun season, and I can’t wait for season 17! There’s a reason Fox keeps renewing this show despite the ratings, is all I’m saying.

8. Emergence- Season 1, Episode 9- “Where You Belong”

It’s true that the first half of Emergence’s freshman season was a bit uneven. The writing isn’t quite as compelling as it could be, and it does rely on some sci-fi cliches. But I’m a sucker for a good found family story, so I stuck it out. And I’m certainly glad I did, because the mid-season finale was pretty great! An excellent sense of stakes, and enough tension to keep you on the edge of your seat without skimping on the sweeter moments. It culminates in one of the most brilliant twists I’ve seen on TV since The Good Place! I’m curious to see what the rest of the season will bring.

7. Veronica Mars- Season 4, Episode 3- “Keep Calm and Party On”

I’m willing to bet that this will be the most controversial pick on the list, for several reasons. No, season 4 of Veronica Mars was not as good as its first, and I have problems with the way Rob Thomas and Kristen Bell handled the fan response to the ending. And that’s before we get to the episode itself. Many long-time fans of the series took serious issue with the extended party scene in this episode, given that Veronica was drugged and raped at a party in high school. There’s also her mother’s own history of alcoholism to consider. But while I absolutely sympathize with those concerns, Veronica’s decision to let loose and party still feels understandable to me. Given everything that’s been going on with the bombing case, she's searching for some kind of release. And if there was a year where the desire to just forget about the world for a while, past traumas be damned, felt all too real, it was 2019. And that’s why “Keep Calm and Party On” makes the list.

6. Single Parents- Season 1, Episode 23- “Ketchup”

Will and Angie are clearly the Jess and Nick of Single Parents, which is fine. But part of me is sort of hoping they don’t get together, because their friendship is pretty great. In this episode, Will takes Angie to a terrible fast food restaurant to confront Graham’s dad about abandoning her while she was pregnant. Will ends up using a bunch of food metaphors to explain to Derek what an amazing mother and person Angie is, and it’s fantastic! Add that to Douglas and Poppy realizing their feelings for each other, and you’ve got an episode that’s as completely hilarious as it is completely sweet. If you haven’t watched this show, check it out! It’s pretty delightful. 

5. Stumptown- Season 1, Episode 3- “Rip City Dicks”

Stumptown was the best new show this fall, hands down. The first half of its first season didn’t end quite as strongly as it started, but it gave us some fantastic episodes along the way. “Rip City Dicks” is one of them. Dex is hoping to apprentice under veteran PI Artie Banks in order to earn her license, but gets a cold, hard dose of reality when he sells out their client and her child to make a quick buck. Dex does learn a valuable lesson from it, though. Exactly what kind of private investigator she doesn’t want to be. The episode ends with an amazing, very feminist monologue from Dex promising Candace that she’ll get her kid back. It’s a fantastic performance from Cobie Smulders, and I’m really looking forward to the rest of the season! If you’re not watching Stumptown, you’re missing out.

4. This Is Us- Season 4, Episode 7- “The Dinner and the Date”

America’s favorite cry-worthy family drama gave us plenty of great episodes this year, including a much-anticipated origin story for Beth Pearson. Out of all the possible options, I ended up choosing “The Dinner and the Date” as my entry for this list. On one hand, you’ve got a sweet story of young love set against the backdrop of Philadelphia. On the other hand, you’ve got a young Black kid trying to form his own identity in a way his white adoptive parents just can’t understand, no matter how hard they may try. It’s a beautiful episode, and I look forward to seeing what 2020 brings for the Pearson family.

3. Marvel’s Cloak and Dagger- Season 2, Episode 10- “Level Up”

Honestly, I could have chosen any episode form Cloak & Dagger’s stellar second season for this list. There’s the near-perfect three episode run of “B-Sides,” “Vikingtown Sound,” and “Two Player.” There’s also the dark, thought-provoking Emma Lahana showcase that is “Shadow Selves.” But I ended up choosing the finale, because it felt like such a perfect culmination of everything the show had been doing up to that point. Tandy and Ty take on every obstacle Andre throws at them with an abundance of grace and an unshakable faith in each other. The choice to have them literally fight each other’s demons was inspired! But the most powerful moment comes when Tandy gets the chance to confront her late father after everything she’s learned about him since his death. She tells him in no uncertain terms that she, and only she, gets to decide how big a part of her he is. She says that the only thing she can do in the face of adversity is level up. If there’s a lesson to take into 2020, it’s this. If you think you aren’t strong enough to face what the world sends your way, level up. Turn your dagger of light into a sword of light. Stare oppression in the face and say, with your whole being, “Not today.” Disney and Marvel made a big mistake in cancelling Cloak & Dagger. Huge.

2. Good Trouble- Season 1, Episode 8- “Byte Club”

I hope anyone who thought Good Trouble wouldn’t be as powerful as The Fosters is really embarrassed after these first 20 episodes, and I mean that in the best possible way. Good Trouble is everything a great spin-off should be. It keeps the spirit, heart, and progressive mission of the original show, while also feeling like its own distinct entity. It introduces an amazing cast of new characters to love, without forgetting to check in on the old ones every once in a while. “Byte Club” has to be the best offering the show’s given us so far. Facing rampant gender and race discrimination at work, Mariana rallies the women of Speckulate to come up with a set of tips to help them assert themselves in the workplace. The advice they come up with is solid, and actually really useful in real life. But it’s made even more powerful when Mariana points out that women in professional spaces shouldn’t have to jump through all these ridiculous hoops just to get recognized for having an idea! And that’s not the only powerful feminist moment of the episode. Callie discovers that the reason Rebecca ended up as a clerk for Judge Wilson is because her previous judge sexually harassed her, and her powerful family refused to do anything about it other than get her out of there. I’ll admit that Callie had no right to insert herself into that situation and guilt Rebecca into coming forward in the following episode, but it’s still an amazing scene featuring excellent performances from Maia Mitchell and Molly McCook. I’m so excited for more Good Trouble in the new year!

1. The Good Place- Season 3, Episode 13- “Pandemonium”

The final season of The Good Place has been fantastic so far, and several of the most recent episodes almost made this list. But at the end of the day, “Pandemonium” is the kind of episode that makes me want to make television. To make something that will touch other people the way this episode touched me. I could go on and on about the beautiful love story between Eleanor and Chidi. But instead, I want to focus on the final scene, in which a distraught Eleanor calls Janet into her office and demands the answer to, well, everything. What does it all mean? Because if there’s no greater meaning, then the universe is just made of pain, and Eleanor can’t accept that. Janet’s response is what really makes the scene sing, so I’ll quote it here. “If there were an answer I could give you to how the universe works, it wouldn’t be special. It would just be machinery fulfilling its cosmic design. It would just be a big, dumb food processor. But since nothing seems to make sense, when you find something or someone that does, it’s euphoria.” To which Eleanor replies that all she can do is “embrace the pandemonium” and “find happiness in the unique insanity of being here, now.” And then she steels herself, opens the door, and welcomes her soulmate who has no idea who she is into the afterlife. This is the same philosophical bent that made me adore Angel so much, and it works just as well here. This episode aired all the way back in January, and these sentiments got me through awful headline after awful headline in 2019. Catch up on The Good Place if you haven’t already. It will be going off the air soon, and our lives will be all the worse for it.

[whatevenismyaestheticidk]

Things I’ve heard high schoolers say pt 2

Person 1: But air doesn’t splash Person 2: How do we know that, Im splashing the air right now.

Person: Prove me wrong. Prove fish can’t see air.

Person: I think you underestimate just how poor I am.

Person: I just invented a new thing. No Romo. Like no homo but with romance cause I’m lonely. Get it?

Person: So yah I burned my hair cooking ramen.

Person: Well I figured he wasn’t an adopted iguana.

Person: Say it. You know god is watching.

Person 1 upon heading the news of George Bush’s death: Wait he’s still alive? Person 2: No he’s dead that’s the point.

Person: I got it. *five second pause* no I don’t got it.

Person 1: My name is (name), but you can call me yours. Person 2: Okay nice to meet you yours.

Person: Don’t drink it all fool.

Person: Bruh you could literally turn in a gay fanfic and he’d give it an A.

Person: Bruh, what is this triangular accusation?

Person 1:It’s call physics. Person 2: Yah but I don’t take Physics hence they should not apply to me.

Person 1: Discreet. Person 2: No discr-yeet *dabs*

Person 1: Be impressed with my ability to bull shit. Person 2: I mean, it’s gotten you this far.

Person: Why do I feel like finals are lowkey Russian roulette? Like okay I made it through most of them but I still have a few pulls of the trigger to go and one of them might get me.

Person 1: Murder. Just do it. Person 2: I didn’t know that nike was sponsoring murder.

Person: How do mermaids reproduce if they’re just like conjoined legs?

Person 1: Frozen Yogurt Person 2: Fro yo Person 1: Frozen YOgUrt Person 2: Fro Yo Person 1: FROZEN YOGURT

Person: All I have to do to commit suicide is jump from my parents expectations to my grades.

Person 1: I mean yah I cheated on that test. Person 2: Man your love life it DOOMED!

Person: I was seeing if I was tripophobic by repeatedly stabbing my finger with my pen.

Person: You do know that crickets exist during the day right?

Person 1: Hey (person 2), we’re friends right? Person 2: ….. What do you want. Person 1: You know, that sandwich looks real good. *person 2 hand them the sandwich* OMIGOD THANK YOU SO MUCH I LOVE YOU!

Person: Omigod (person’s name) is going through puberty!

Person: If you pulled my ear I would have ripped out your nostril.”

Person 1: She’s attacking me! Person 2: No, he’s beating a woman, that’s not polite.

Person 1: I know many things! Person 2: like what? Person 1: ..... Person 2: my point.

Person: My shoes will be sparkly red stilettos. Fight me Dorothy.

Person: umm hello Christmas miracle even though I’m not Christian. Come at me 15 years from now!

Person 1: you’d make a really good baldie Person 2: yah you have a really rest head shape

Person: you know teletubbies? Yah that but compressed.

Person 1: I mean how will you become American? Person 2: paint me white, I’ll get a passport.

Person 1: I’m so funny. Person 3: it’s hard not to be when your life is a joke.

Person 1: So I’ve decided that my new career choice is to make school specific memes Person 2: That's Plan A? Yeash... at least Plan B lands you some cash

Person: I’m so small and bitter I’m like a human expresso

Person: You know what I’d name a baby kangaroo if I had one? David Jowie.

Person: I’m just saying that the orange red glitter crayon is you.

Person: I feel like a 1940’s schoolgirl who goes to an all girl finishing school where embroidery is a required class.

Person: I started high school with straight A’s, now I’m not even straight.

Person: Yeah, I’d swear by comic sans.

Person: (Persons name)stop being depressy and you’ll be more sucessy

Person: You can totally be insecure and self absorbed at the same time.

Person 1: Are you kids okay? Person 2: Besides crippling depression yeah.

Person: I don’t know it’s just giving me pig vibes.

Person: What drugs where the animators for “Pink Elephants on Parade” on?

Person: long story short I make like a semi hot guy.

Person: If I where pregnant id just be like 'you put this thing inside of me, you're helping me until it's out.'

Person: These girls asked me what type of  guys I like and being the simple gay I am, I completely blanked

Person 1: why do you read on your phone if you get carsick at 20 minutes? Person 2:Because it works for the first 19 minutes.

Person: Three Indians, a Thai, a Colombian, and an American walk into a bar. Just kidding they aren't old enough to drink. Three Indians, a Thai, a Colombian, and an American walk into a school cafeteria...

Person: I can't do alcohol cause I'm not of age but I can do drugs because they're illegal for everyone.

Person 1: you can't have a breakdown, it's the third day of school. Person 2:... so?

*Group of kids singing Bohemian Rhapsody in twelve different keys* Person: For gods sake choose a key!

Person: For gods sake that was complicated. You didn't need to send out a survey to see which episode of which season of which show to watch.

Person: Honestly I'd chose stab over dab any day.

Person 1: She said she'd throw me out of the window. Person 2: She never did. Person 1: She never did.

Person: What language is this? *pause* Oh wait it's English.

Person 1: I mean it's pretty hit or miss. Person 2 from across the courtyard: I guess they never miss, huh?

Person: Chu-chu bitch. I’m a train.

Person after loosing game of kahoots: I’m going to ka-shoot myself.

Person: So basically I need to learn Hungarian for a song.

Person: No one screams their sneeze, its not human

Person: If I where a mosquito I would bite you and you’d get malaria and die.

Person: That tide pod aesthetic.

Person: No I loved Barney, Barney was my bo.

Person: If I where my own boyfriend I’d dump me.

Person: It's already a really good song but then it's dubstep so it's extra good.

Person: No one is EVER to old for coolmathgames.com

Person 1: Why are you using a poon? Person 2:….. Person 1: WHY ARE YOU USING A POON?!

Person 1: I’ve been blonde for 16 years. Person 2: So what? I’ve been brown for 16 years and you don’t see me coloring myself white!

Person: Yes. Scrape the sweat off my hand.

Person: No one cares about a square cube of water.

Person: We’re melanin intoxicated.

Person: Well my life may be a mess, but at least I’m not doing drugs. Yet.

Person: Negative 13 out of 10, do not recommend.

Person: Yah that’s gunna have to be a no from me.

Person: Fool me once......fool me twice.......fool me as many times as you want, my first name is dumbass.

Person 1: Ya know, I think the Americans have the order of dates right JUST BECAUSE you can do 4/20/2019. Person 2: Okay but they’re still wrong though.

Person with AirPods: And where are YOUR AirPods? Thats what I thought you broke bitches.

Person: Salem witch trials bitches.

Person: La Croix, the AirPods of the soda world.

Person: Who needs a thermometer when you have… your hands!?

Person 1: It’s time to bring back SEXY MASQUERADE BALLS Person 2: It really is. I need an excuse to wear an incredibly uncomfortable dress that's so big I can't even walk through doorways. Person 1: And to wear a swan inspired mask that doesn’t cover enough of my face to deem myself totally anonymous enough to be half as bold and daring as i plan on acting that night but everyone else is on board we’ll all just forget about it the next day. Person 2: That's to specific for you to have made up on the spot, you've thought about this.

Person: It was lady Macbeth that drugged and made the guards drunk, without her Macbeth would just be like “I guess I’ll stab him???” Person: It’s like playing where’s Waldo but the page is India and I’m Waldo.3Person: Why are there so many frowny faces everywhere?

Person: This group chat is weird. It's either homework, deep philosophical conversations, or memes, there's no in between.

Person 1: Honestly, where DID it come from Person 2: The endless abyss that is the internet.

Person: Are you really blaming our generational depression on Jake Paul?

Person 1:  Oh. My. God. Guys. Keep your carbon dioxide away from my computer. Person 2: But sharing is caring. Person 1: But my computer doesn’t need this kinda of negativity in its life right now.

Person: Sweetie, if you think I’m going to stop wearing my favorite dress just because you kissed me in it, you are dead wrong.

Person with a metal straw: I don't drink broke.

Person: My whole life has become that sock on the floor. It's just there. When did life screw us over and then just ex? I’m just gonna write a book, and the last sentence will be life screwed them over and then exed. A story of the main character who gets screwed over, so I can get that 'it be like that sometimes' reaction.

Person in group chat: Positivity- I will make you feel better about being an idiot. Self Doubt- I will highlight all of your mistakes and set low standards for you so you'll never be disappointed. Me to Self Doubt- I'm listening...

Person 1: Sadly the disappointment never goes away... Person 2: Man we're a sad lot this time of year.

Person 1:It’s almost my favorite time of the year Person 2:Ahh yes. Singles awareness day, also known as chocolate sales at Walgreens eve, also known as... Valentine's Day. Person 1:... Oh... I meant rainy season.

Person: Being antivax is like swimming in shark infested waters because you're afraid the bridge could break lmao.

Person: I learned how eat a kumquat this weekend.

Person: It’s so sticky. It’s like clear cheese.

Person: Hamburger helper? More like hamburger help me pass this class.

Person 1: So I slipped on a grape… Person 2: You got K.O.’ed by a grape (person’s name), how does it feel.

Person 1: Look at me, I’m fine. Person 2: Well how many drugs did you take. Person 1: Several.

Person 1: Did you just say it’s ALMOST FEBRUARY? Person 2: Yes, it’s January 72nd.

Person: I knew your comedic standards where low, but poop jokes? Really?

Person: What? So are you insinuating the fact that reliablest isn't a word?

Person 1: [bitter old man voice] back in my day, tik tok was a kesha song. Person 2: Back in my day we had wires attached to our AirPods.

Person: There's a reason rainbows aren't straight. Just saying.

Person reading sheet music and seeing mf crescendo: I forgot that mezzo forte was a thing for a second so I thought it said mother fucker as a crescendo but mood

Person: He looks like a fine piece of toasted white bread.

Person: If life hasn't given me a fist bump by now, why should I give life one?

Person: we all died in 2012 this is hell.

Person 1: Who wants a pamphlet on condoms? Person 2: Why do you have this? Do you collect them? Person 1: Yah it’s my hobby. I have this one, one on HIV and one on teenage pregnancy.

Person: We live a society where reading about assassins and gory details is a hobby.

Person: Stop breathing so loudly on my thumb!

Person 1: I’m the comic relief. Person 2: For what? Person 1: Myself.

Person1: Who’s your valentine this year? Person 2: Me, myself and I. Person 1: Wow three valentines, you really can’t keep them away can you?

Person: Why do women gotta get their period, why not men. I wish I was born a seahorse.

Person 1: No we can’t all fit, her car is smol. Like you. Person 2:  Says you miss 5 foot nothing lmao. Person 1: Hey we’re the same hight so says you miss 5 foot nothing.

Person: No, that’s cheating no emotionally disabling people.

Person 1: Why is it that we’re talking about someone burning eggs on two different group chats. Person 2: Hey I didn’t burn them. Person 3: Cause why not?

Person 1:  That’s not how an Australian accent works. Person 2: This is why I’m not Australian, I don’t have the koala-fications.

Person 1: I’m Indian, numbers run through my blood. Person 2: That’s like saying I’m going to marry my cousin just because I’m white.

Person: So I ate veggies and hummus for lunch but then I counterbalanced it by eating a spoon full of straight Nutella.

Person: Seagulls, California Pigeons, what’s the difference?

Person 1: I humbly apologize and request your forgiveness. Person 2:  I humbly decline your request for forgiveness.

Person: I think I’m permanently stuck somewhere between “If you mess with me I’ll fight” and “If you mess with me I’ll cry.”

Person 1: It was implied! Person 2: What’s implied is your inability to accept that fact that I’m right!

Person 1: I got lazy because I was eating Pringles. Person 2: She values Pringles more than me.

Person: Yo, you be the crazy ex girls they be talking about in memes.

Person: I swear (persons name) if I hooked up with squidward in your dream your subconscious and I need to have a little talk.

Person: You get to die, and you get to die! Everybody gets to die!

Person: How do you just add a child?

Person 1: Look at this ink based pencil. Person 2: A pen?
 Person 1: This egg is all broken. Person 2: It’s like you then, you both broke under the pressure.

Lakshmi: Don’t force your opinion, voice it.

Person 1: If I where a fruit, which one would I be? Person 2: Sushi. Person 1:… Sushi isn’t a fruit.

Person: I mean it’s not straight up “Yo come here I’m gunna kill you.”

Person: Bye gays, bye (other girls name).

Person 1: No (person B) stop. Just shut up. You’re making me loose brain cells. Person 2: But… Person 1: No. Just no.

Person: Stop. That is non-consensual pizza eating.

Person 1: Cheese is not a vegetable! Person 2: Well it’s not a meat either! Person 3: Guys… It’s dairy.

Person: Idiots have priority over just regular dumb people

Person: God melted the polar ice caps just to make it rain for Noah then refroze them. I don’t know (kids name) I’m not god!

Person: You and I will go out, and leave them to their raw fish rolled in sea salad.

Person: Does anyone else get really energized when they change their room? Just me? Okay.

Person: I hope you know I will diss you guys to the end of the earth.

Person: Bruh talk to (person’s name) I don’t know sh… *notices teacher looking at her*…niahhh.

Person 1: The thing is, I don’t want to be 80 that’s rough. Person 2: Then just die at 50.

Person: You’d be scrambled eggs with hair.

Person: Seeing you two fighting, it’s like seeing a piece of light fighting a black hole.

Teacher: What can you tell me about probability? Student 1: I hate it. Student 2: Dont you mean you? Student 1: Yes both.

Person: My brain has the dumb I’m sorry

Person 1: If my first word was no, I’m assuming that’s foreshadowing for them my family disowns me after I renounce religion and systemic abuse. Person 2: Or…. You just need to make sure your last word is yes. Person 1: Yes to what though? Person 2: ‘Are you dying?’ Yes.’ Pessimism, just your style. Person 1: That’s true.

Person: My parents don’t message me, they’re the type of people who CALL. Where did I get my social anxiety from??

Person: Well guys it's been great knowing you I’m just going to drown now.

Person: I figured out a new diet regime, it’s called sleeping until noon and just not eating breakfast.

Person: The f on my birth certificate was the doctor paying their respects.

Person: Chocolates with raspberry filling are the sole reason I’m still alive.

Person 1: Isn’t Latin a dead language? Person 2: You’re a dead language!

Person: Hydrate before you diedrate.

Person 1: you have a son named Spider-Man? Person 2:  what noooo! Person 3: well don’t expose her!

Person: That awkward moment when you just really don’t care about people.

Person 1: (Person 2) and I will be over here with my virgin margarita and her water. Person 2: Hey! I want apple juice! Person 3: Why are you not drinking (Person 1)? Person 2: Because she’s to single, and also she’d strip. Person 1: Woahh! How dare you assume that I’m not drinking because I’m to single?

Person 1: Ya know, I think I’m going to have to jazz hands my way through hell. Person 2: All of us will.

Person: Brown town children, y’all find someone in India?

Person 1: Wow you have the best backup singers. Person 2: I only hire the best, at least 5 stars in yelp. Person 1: Well good because that’s  the sound they’re making.

Person: The cold kills everything, it’s like my heart.

Person 1: Remember the rolls I brought to school last year that I used to give you? The ones with paneer and the really good spices? Person 2: Yah? Person 1: This is not at all the same thing.

Person 1: What’s stevia? Person 2: It’s like sugar but no.

Person 1: Yeetus Skelettus. Person 2: Fetus Deletes? Honey, that’s called abortion.

Person: Anything for you. That’s what you said. Anything for you. But when I ask for just one bite of your pasta? No!

Person 1: I've written 1,300 words and don’t have a thesis statement or topic question Person 2: Yeah, you need to figure that out.

Person 1: you know I had a dream that you where in a romantic relationship with a toaster. Person 2:  wasn’t that your relationship with (ex’s name)? Person 1: you’d have more chemistry with a toaster.

Person: Can people read colors? Cause I am ooo.

Person: It’s like hands but medusa

Person: You look like a cardboard jellyfish that’s brown

Person 1: Two of us like boys. Person 2: We all like boys. Person 1: Two of us like ONLY boys.

Person: you’re like a reverse plant. You convert oxygen into carbon dioxide.

Person: Shhhhh. I’m not in physics, let me be dumb in peace.

Person: Why are you laying down like some greek god, get up you brown child.

Person 1: Do all of you just think you’re going to be single? Person 2: I already am why not keep the streak going to get a high score?

Person: and now cracks of light are coming out from around the sides like some sort of computer Jesus!

People 1 and 2: Rock Paper Scissors Person 3: shoot me please.

Person 1: not since 9/11 you can’t. Person 2: dang. You just tossed your whole country just to prove a point. I’ve never been so proud.

Person 1: what is an angle of depression? Person 2: it’s my life. Person 1: no it’s you because it’s not straight.

Person: Boom. Lesbians.

Person 1: Well what if two rocks just washed up at the same time and humans. Person 2: Evolution.

Person: Watermelon isn’t good anymore, I swear its just water with food coloring.

Person: You being dumb makes me want to correct you, sos too being dumb cause I’m on vocal rest.

Person: well (persons name) who have you a mouth?

Person: Teachers that grade late work deserve all the love and cookies and cake in the world.

Person 1: honestly I just want to die right now. Person 2: same. Literally same.

Person: I just feel like a single molecule lost in space.

Person: who’s gunna stop me? God? Damn him to hell.

Person: the line is not actually straight it’s like (students name)

Person 1: It’s your favorite sleep deprived gay. Person 2: But I’m my favorite sleep deprived gay. Self love. Person 1: We Stan.

Person 1: Why do you have a tool? Person 2: Because my hair is moist.

Person: eating lead was an otherworldly experience

Person 1: I have everything stolen from me 2: at least you have the tiniest bit of dignity left 3: what dignity? 1: exactly

Person 1:( holding up katsup) does this go on salad?

Person:I’m turning red! Me! A brown girl!

Person: I’m not trying argue that we should date, I’m just saying.

Person 1: what’s your biggest turn on? Person2 : a light switch Person 2: or then leaving.

Person 1: what is the most attractive retire on someone Person 2: my own face

Person: you’d be that one bar do white chocolate that just sits in the feidge because no one wants it

Person: that’s like saying I’d rather see your shirt than your face.

Person: why would I shut up when I can shut (kids name) down

Person: Subtle. Gay. Vibes. I’m telling you.

Person: just watch me write my ee on all the reasons why nick caraway is gay. Just watch me.

Person: Why are you stereotyping. What if the body doesn’t want trucks, what if he wants to be a fairy.

Person: being ace is basically just eww no but like forever.

Person: Stop trying to science your way out of being wrong.

Person: even if you did ask me out I’d still say no so then you’d even be rejected by a trash can

Person 1: you can’t read cheese color. Person 2: yellow?

Person 1: Think about  it like you’re brown Person 2: She is brown Person 1: Then act like it

Person: You’re not an ugly frog, you’re a beautiful human being. Person: I am. Very very dumb. And also. Bisexual.

Person: I was thinking of something smart but then I forgot what it was.

Person: I want to skip the crush phase and just make out with someone.

Person 1: The only way to get into the Holland family is to marry in through Paddy. Person 2: (Person 1’s name) this isn’t the royal family.

Person: Omigod you looked like the human version of squid ward.

Person: I want to be smart. Where can I learn smart stuff?

Person: But plant the seed and smoke the weed and chop the cane.

Peeeson 1: that is the definition of meter? Person 2: about 3 feet. Person 1: okay thanks America

Person 1: who’s Tom Holland? Person 2: Spider-Man you uncultured swine!!

Person: I am not a children

Person: Ohh dang yeah forgot chickens existed for a while

Person: Hey! Don’t narrate my water!

Person: I don’t read water.

Person: Think of it as a relationship. If you and your ex break up they are salty but you profit because you wanted to end it but if you end it weak, then y’all will argue back and forth and get nowhere with ending it while still exchanging insults.

Person: You know those really sexual mattress adverts?

Person: Oh please, you have the sexual appeal of an easy bake oven.

Person 1: weed is a gate way drug Person 2: YOURE A GATEWAY DRUG!

Person: (first, middle, last name), I love you to the end of the earth. But you are a daft child.

Person 1: She’s like that type of girl. She’s the long paragraph white girl. Person 2: Well that’s a niche if I’ve even seen one.

Person 1: swing you two fight is like watching two ants fight. Person 2: you friking piece of bacteria!

Person: I’m just an intellectual.

Person: I will murder your face off.

Person: that’s like a kilometer tall.

Person: It’s weird when I pet you horizontally.

Person: to be honest I thought those were rocks in a jar for the longest time. Turns out they weren’t.

Person: does she have a brother or gay tendencies

Person: I’m going to slap your hand like it’s a fricking spider.

Person: I like your face better blurry.

Person: every night at about midnight someone starts googling astrology

Person: I will kick you. I will murder your soul.

Person 1: I’m just going to marry a millionaire. Person 2: Where are you gunna finds a millionaire in this economy?

Person: Welcome to my tea party, there isn’t any tea to drink, but we have a lot of it to spill.

Person: Yah, it was something about sex or something.

Person: You’re all uncultured swines.

Person: I’m about as straight as a sine curve.

Person 1: They’re not Oreo’s you dumb head Person 2: I know that dumber head. Person 3 :Shut up dumbest heads

Person: As an ex foetus i can say with authority that if my mother had aborted me i wouldn't have known nor would i have given a fuck

Person: I’ve just accepted I’m going to fail this test. I’ve gone through the 5 stages of grief already.

Person: Yes I’m blind that’s why I need glasses fool.

Person: what the fork do you want you little son of a biscuit.

Person: Anyway now I’m taking Tylenol PM and I’m going to actually sleep tonight that’ll be fun.

Person: I need all the hoodies. ALL OF THEM.

[dominicvail]

thjslove replied to your post

“do you think this could be end in one of them getting killed and...”

omg what CM receipts? ��

@thjslove cm is one of the most convoluted behind the scenes messes i have ever witnessed and i am just Astounded till this day like, i’ll bullet point for you because i Genuinely will be here writing this for 3 hours if i do details;

think of all the female cast members that have ever been on cm?? yeah?? a lot! well, the only ones who left in non suspicious circumstances? Lola Glaudini (elle) and Jennifer Love Hewitt (kate). Literally. The only ones. 

one time (between seasons 8 and 9) they almost cancelled the show because aj cook and kirsten vangsness decided they didn’t like that their male costars were making $70,000 more PER EPISODE than they were (this was back when they did 24 eps a season so like... i’m not gonna do the math but that is A Lot Of Money). (they renewed it last day of renewals, it was the same year cote de pablo walked from ncis because of the same reason, legit the only reason they got anywhere was b/c they said ‘we both get raises or we both walk’. 

btw while this was happening, minus Moore, the rest of the male cast was holding up negotiations so they got perks on top of being paid over 50% more than the women. 

this sequence is the kicker

u know season six, the jj and prentiss absences??? 

it was because they both got fired, listed as ‘creative decisions’ (that’s important later), which basically seemed to amount to ‘we want both less women and for her to be younger than both of you’. 

they fired aj cook flat out as her contract had expired that year, in the middle of a 2 parter, and didn’t even want to let her do an exit???? they legit had to fight for the right to have her to film an exit episode (they negotiatied 3 episodes, one for finishing the 2 parter, one exit, and one for when prentiss exited). 

brewster’s contract had Not expired (also important later), they just only decided she should be in 8 episodes. 

it’s important to the sequence of events that i mention outside influences, b/c the cm fans were PISSED. There was a straight up public outcry, i have Never seen a response like it in my many years of obsessive TV watching. People were Very fond of Prentiss and JJ and were Not impressed they were being booted as unnecessary to the narrative, those pesky creative decisions!!! the petitions and public support towards them were pretty incredible actually. 

by that point there wasn’t much that could be done about Cook, but seeing the response CBS kept making Brewster film Way more than those 8 episodes she got slotted for actively dragging her along, Still fired but p much unable to find other work realistically??? b/c they kept calling her back in???

public support was still Overwhelmingly on the actresses side. 

To the point that CBS started ardently claiming the actresses were fired for Monetary reasons. Yeah, they straight up lied, and still lie about it today. I have seen cbs affiliate websites print said lie bluntly in their articles (i no longer read cbs affiliate anything). 

I listed the pay scandal first for perspective on the money lie. At that point i think the men on the cast were wearing about $110,000 an episode, and it got out Cook was earning about £50,000 an ep, and we never heard about Brewster’s salary But when i say she made a Big Deal over finally getting paid as much as the men in the past couple of years i mean it, so we can assume she was also being paid a lot less. My point being, if they needed to save money, it would have been more profitable for them to fire One man on the show than two women. They pay gap was that much. 

so they lied, still lie, about why they fired them and it wasn’t even a good lie. 

ANYWAY

i know the show’s writing isn’t really applicable but Prentiss and Seaver  were never meant to be main characters on the show together, where they dragged out prentiss’ exit, they overlapped and Rachel Nichols had very little to do. 

Anyway, by the time the late eps of the season were airing (and i assume they looked at how many viewers cut loose when brewster left) cbs straight up rang up aj cook and asked her to sign back on (why she was in the last ep despite only being hired for 3 eps that season). She said she hated them but she had a young kid at the time and regular work that was local was helpful (plus, u know, i bet it was a great ego boost).

the season finishes airing, it goes on hiatus with the cast listed 4 season 7 as the men, garcia, jj and seaver. 

u know how i mentioned paget had a contract for s6 still but they cut her episodes down??? Well, CBS used the fact that they wouldn’t let her work on the show anymore despite being signed on as evidence that she was breaching contract if she didn’t go back as a regular for season 7. They threatened to sue her for breach of contract. The only reason prentiss was in s7 was because they used what they did against her that she had no power over to threaten her. So, u know, super nice. 

meanwhile, they fire rachel nichols, don’t bother to actually tell her they’d done it!!! and she found out on fucking twitter (and rachel is such a nice person, and she was absolutely vilified and abused by every idiot on the internet too thick to realise none of the above was her fault jeez). 

so s7 happens w/ the same cast as before, but brewster will Only work to contract and refuses to sign on again for s8. Understandable, tbh. 

they hire jeanne tripplehorn, fandom is disgusting as usual, like, absolutely vile, not surprised just disappointed. 

at the end of season 9 (they have 2 year contracts so like.. it was the end of her contract), despite everything in the  storyline process indicating otherwise and how much of a farce for her character what went down was... Blake left???? No more Jeanne???

Not one peep from bts over what happened.

if that sounds suspicious to you, it is, one of the crew members let slip they’d all been gagged and were not allowed to talk about it. So cbs learnt it’s lessons in as such that they learnt to hide their shitty actions rather than not do anything shitty.

p sure there was another pay scandal in here somewhere too??? 

in terms of The Gay(tm), Reid was like, conceptualised as bi from the get go but that thing in season one with Lila happened so the execs said he could not possibly be bisexual. Yeah. Yeah u read that right. Most ppl laugh at that one and say uhm do you not know what bi is??? but honestly it was just an excuse they knew full well what they were doing imo

why? they did it again! the writers, producers and Brewster all agreed on a scene where an episode opens w/ prentiss waking up in bed with another woman, guess who nixed it!!!! cbs. They also put a gag order on That little fact too! Kirsten Vangsness, bless her, did a podcast a few years ago on afterellen (before it got fuckawful and was with it’s original owners) and, i’d say ‘let slip’ but she knowingly dropped that truth bomb knowing full well she shouldn’t have. I love her. 

lately they’ve made brewster do “interviews” with some of those cbs affiliates where they try and get points??? for saying prentiss was gonna be gay??? like they’re not the ones removing the rep from the show??? and expecting a pat on the back for... refusing to have any kind of gay rep in a show that is by this point conspicuously straight (not that LA isn’t, but it’s not nearly as bad as cm). 

the whole mess with Gibson is... Wild b/c as much as i Loathe the dude he supposedly attacked cbs would not just fire their white guy show lead for no reason and i didn’t see any above the level sites claim any funny business there, but he got fired and cbs rang up Brewster and asked her to be the show lead which, honestly, after being fired for being old and irrelevant must have been AMAZING.

she also takes the time to point out to anybody who asks about her and aj being fired for money reasons that no, it was not about money at all. She basically calls her bosses out for being liars in public interviews frequently and it’s Amazing. 

i’m sure there’s more crap but i’m not recalling it rn

honestly cm bts drama is Wild and this doesn’t even get into the Patinkin drama (which while drama, is not actually anything to do with cbs). 

Interestingly enough, it’s super hard to find out all this stuff unless u were in the fandom the whole time because they’ve bloody lied So Much it’s all everyone even believes anymore. It’s disgusting. 

Still can’t believe  ncis:la’s female cast has done this well for so long???? These are just CM’s reciepts, they have a history of doing this stuff over and over on multiple shows, i know of it as far back as when trek tng was airing in the 80′s and can name more in between. 

[just-a-kid-at-heart]

Outlander: Getting to Know You

I was tagged by the wonderful @gotham-ruaidh. I’ve read a lot of these today, and everyone has had such great answers, so hopefully I haven’t stolen anyone’s too much. 

1. How long have you been a fan of Outlander?

Since Fall 2016. I was looking for a new book to read and stumbled upon Outlander and after that it was pretty much down the rabbit hole, and I regret nothing.

2. Have you read the books? If so, which ones?

Yes, all of them, and all of the John Grey series, and all the novellas.

3. Which is your favourite secondary character?

I love young Fergus, and wish that adult Fergus was explored a little bit more. Young Ian is great. I also can’t wait to see more of his relationship with Rachel.

4. What is your least favourite storyline?

Laoghaire marrying Jamie, I know that if Jamie was going to remarry with Claire coming back eventually that this is the one that makes the most sense, because there are no real feelings, and she would be easy for Jamie to leave, but I still just hate it. Also the change in the show with Jamie knowing it was Laoghaire’s who sent Claire to the witch trial, make it make even less sense.

5. Favourite Episode (s)?

The Wedding, Both Sides Now (except the Frank subplot it was a little annoying), A. Malcolm (I mean how could you not), Eye of the Storm

6. The Episodes you skip?

I’m not a fan of The Devil’s Mark, I skip parts of Wentworth Prison, and Faith just makes me really sad, so that one is hard to watch too.

7.  Be honest, how many times have you watched The Wedding?   

I wasn’t ever keeping count.

8.   Finish the sentence, Frank Randall is a…?

Sadly a necessary part of the plot, but I still don’t like really like him, and wish he could have gotten over everything and told Claire that Jamie was alive sooner.

9. What’s your Outlander watching ritual?

Not really, but I tend to watch the new episode in my bed whenever I wake up on Sunday morning.

10. Are you into shipping?

The characters in the book, yes, I ship them all. The actors, not really, if they are together that’s awesome, if they are not it’s their lives.

11. Do you read Outlander fanfiction? If so, what’s your favourites?

Yes, I read it all. There are too many and to many to pick, so I am just going to direct you to @thelallybrochlibrary, and advise you to do what I did and read it all. This is a great fandom you won’t be disappointed.

12. What Outlander merchandise do you own?

Right now I own books 1-4. I plan to own them all, but I am buy them as I reread them, and right now I am only on my reread of Drums.

13. Which was your favourite- Rupert or Angus?

Both. Both is good.

14. True or False: Lt. Jeremy Foster is a delicious cinnamon bun.

Sure.

15.  If you were to attend a “fucking bar-b-que” with Geillis Duncan what would you order?

How about some cornbread.

16. What areas of interest has Outlander sparked for you?

I would definitely have to say writing. I have read fanfiction from other fandoms, but this is the first time I felt like I would try my hand at writing. I am still pretty new and figuring out how to put everything together, I think I have several work in progresses right now, because I just have too many ideas. We will see how many I actually finish.

17. Biggest plot hole in the show?

I’m pretty sure when I first saw in the show that Jamie knew Laoghaire was the one who sent Claire to the witch trial, I thought how can this work, there is absolutely no way with this knowledge that Jamie would marry Claire, but alas he married her because Claire told him to be nice to her. Stupid, absolutely stupid.

18. Bree and Roger: Yay or Nay?

Absolutely Yay!!! Can’t wait to see them together in season 4. Though I will admit that it took through about book 6 for me to get completely on board with Roger, but no that I am on board it is full steam ahead on the Bree Roger train.

19. Which JAAMF habit do you find most endearing?

How protective his is of everyone he loves.

20. Finish the sentence: Claire Fraser is _______________.

A strong female who we should all admire.

21. Marry/Fuck/Kill: Dougal, Black Jack, Geneva.

Marry Dougal (though we might end up divorced), Fuck Geneva (maybe this would stop her going after Jamie), Kill Black Jack (preferably before he gets anywhere near Jamie)

22. If you could change one thing about the show version of Outlander, what would it be?

Given the recent news that Jenny will not be in season 4, I would find a way to change that because I really wanted to see Jenny meet Bree, and I just think that is a big thing that will be missed.

23. Using one word for each, describe Season 1, Season 2 and Season 3:

Season 1: Discovery

Season 2: Drama

Season 3: Adventure#

24. What are some of your other favourite shows/movies?

Gilmore Girls, Friends, The Office, How I Met Your Mother, Grey’s Anatomy, Rookie Blue, The Great British Bake Off, pretty much anything Disney

25. Where are you from?

Northern Kentucky

[flashhdtv]

Episode 7 8 | Mr. Heart — Ep.7 8 [ENGSUB-BL]

Watch Mr. Heart  Season 1 Episode 7, 8 1–2–3–4–5–1–7–8–9–10 Full Episode Mr. Heart  Temporada 1 Capítulo 7, 8 Sub English / Español 2020 ➤ http://watchepisode.online-tvs.com/series/386736/1/7 VISIT HERE ➤➤ http://watchepisode.online-tvs.com/series/386736/1/8

A member of the school track team, Sang Ha (Lee Se Jin) loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy. Jin Won (Cheon Seung Ho), on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race. When Jin Won finds himself struggling to maintain his record-breaking stats, his coach suggests Sang Ha step in to help as a pacemaker. Disappointed in the coach’s decision, Jin Won is anything but friendly to his new partner but with time and determination, the two runners come to find they share a similar passion, both on the track and off.

🎬 Mr. Heart Episode 7, 8 Online Free 🎬

Title : Mr. Heart Episode Title : 7 & 8 Release Date : 02 Oct 2020 Runtime : 10 minutes Genres : Comedy , Drama , Mini-Series , Romance Networks : Viki

Mr. Heart Mr하트

Despite the fact that things just never seem to go his way, Sang Ha always manages to find a reason to smile. A member of the school track team, Sang Ha loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy.

Jin Won, on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race.

Show Info

Web channel: Viki (2020 - now) Schedule: Fridays Status: Running Language: Korean Show Type: Scripted Genres: Drama Romance Episodes ordered: 8 episodes

With dozens of films genre being released each year, a typical one that gets overlooked by the more popular ones (action, drama, comedy, animation, etc.) is the subgenre category of religious movie. These films (sometimes called “faith-based” features) usually center around the struggles and ideas of a person (or groups) identity of a religious faith, which is, more or less, has a profound event or obstacle to overcome. While not entirely, the most commonplace religious type movies focus on the religion of Christianity, sometimes venturing back into the past in cinematic retelling classic biblical tales, including famed epic films like Ten Commandments and Ben-Hur (the original 1959 version) to some more modern endeavors from Hollywood like Risen, The Young Messiah, and Paul, Apostle of Christ. Other Christian “faith” films finds a more contemporary setting to tell its story, with some being “based on a true-life account” like the movies Unconditional, Heaven is Real, Unbroken, I Can Only Imagine, Indivisible, and Miracles from Heaven, while others might find inspiration from literary novels / fictionalized narratives like The Shack, Overcomer, War Room, and Same Kind of Different as Me. Regardless, whether finding inspiration from true life, references from the bible, or originality, these movies usually speaks on a person’s faith and the inner struggle he or she has within or one society’s views, spreading a message of belief and the understand of one’s belief. Now, after the success of 2018’s I Can Only Imagine, directors Andrew and Jon Erwin (the Erwin Brothers) and Lionsgate studios release the 2020 faith-based film / music biopic feature I Still Believe. Does the film walk a fine line between its religious aspects and cinematic entertainment or does the movie get entangled in its own faith-based preaching?

THE STORY

Its 1999 and Jeremy Camp (K.J. Apa) is a young and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD

Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie genres out there, but sometimes they can a bit preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 2014’s Exodus: Gods and Kings and 2016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film. This brings me around to talking about I Still Believe, a 2020 motion picture release of the Christian religious faith-based genre. As almost customary, Hollywood usually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases usually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). Plus, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. Thus, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religious message is clearly there, but takes too many detours and not focusing on certain aspects that weigh the feature’s presentation. As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previous directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religious based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he must face along the way, while musical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religious overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt dramatic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who must learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religious faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these dramatic heartfelt movies….get your tissues out. In terms of presentation, I Still Believe meets the industry standard of a religious faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. Thus, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the various aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the various “behind the scenes” team / areas that I usually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the industry standard for a faith-based movie. Additionally, the musical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others. Unfortunately, not all is found to be pure and religiously cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially because the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focus (and justly so), but pretty much everything else gets completely pushed aside, including Jeremy’s musical career rise to stardom and many of the various characters and their importance (more on that below). This also causes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing). Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite customary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. Thus, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his music career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religious thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey. The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring musical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclusion. All the scenes he does are well-represented (be it character-based or dramatic) and certainly sells the journey that Jeremy undergoes in the movie. Plus, Apa can also sing, which does lend credence to many of the scene’s musical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Us, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. Thus, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa. In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 13) and musician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as musical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than just underdeveloped caricatures in the film, which is a shame and disappointing.

FINAL THOUGHTS

The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.

[thesnhuup]

Pop Picks – February 11, 2019

February 11, 2019

What I’m listening to:

Raphael Saadiq has been around for quite a while, as a musician, writer, and producer. He’s new to me and I love his old school R&B sound. Like Leon Bridges, he brings a contemporary freshness to the genre, sounding like a young Stevie Wonder (listen to “You’re The One That I Like”). Rock and Roll may be largely dead, but R&B persists – maybe because the former was derivative of the latter and never as good (and I say that as a Rock and Roll fan). I’m embarrassed to only have discovered Saadiq so late in his career, but it’s a delight to have done so.

What I’m reading:

Just finished Marilynne Robinson’s Home, part of her trilogy that includes the Pulitzer Prize winning first novel, Gilead, and the book after Home, Lila. Robinson is often described as a Christian writer, but not in a conventional sense. In this case, she gives us a modern version of the prodigal son and tells the story of what comes after he is welcomed back home. It’s not pretty. Robinson is a self-described Calvinist, thus character begets fate in Robinson’s world view and redemption is at best a question. There is something of Faulkner in her work (I am much taken with his famous “The past is never past” quote after a week in the deep South), her style is masterful, and like Faulkner, she builds with these three novels a whole universe in the small town of Gilead. Start with Gilead to better enjoy Home.

What I’m watching:

Sex Education was the most fun series we’ve seen in ages and we binged watched it on Netflix. A British homage to John Hughes films like The Breakfast Club, Ferris Bueller’s Day Off, and Pretty in Pink, it feels like a mash up of American and British high schools. Focusing on the relationship of Maeve, the smart bad girl, and Otis, the virginal and awkward son of a sex therapist (played with brilliance by Gillian Anderson), it is laugh aloud funny and also evolves into more substance and depth (the abortion episode is genius). The sex scenes are somehow raunchy and charming and inoffensive at the same time and while ostensibly about teenagers (it feels like it is explaining contemporary teens to adults in many ways), the adults are compelling in their good and bad ways. It has been renewed for a second season, which is a gift.

Archive

January 3, 2019

What I’m listening to:

My listening choices usually refer to music, but this time I’m going with Malcolm Gladwell’s Revisionist History podcast on genius and the song Hallelujah. It tells the story of Leonard Cohen’s much-covered song Hallelujah and uses it as a lens on kinds of genius and creativity. Along the way, he brings in Picasso and Cézanne, Elvis Costello, and more. Gladwell is a good storyteller and if you love pop music, as I do, and Hallelujah, as I do (and you should), you’ll enjoy this podcast. We tend to celebrate the genius who seems inspired in the moment, creating new work like lightning strikes, but this podcast has me appreciating incremental creativity in a new way. It’s compelling and fun at the same time.

What I’m reading:

Just read Clay Christensen’s new book, The Prosperity Paradox: How Innovation Can Lift Nations Out of Poverty. This was an advance copy, so soon available. Clay is an old friend and a huge influence on how we have grown SNHU and our approach to innovation. This book is so compelling, because we know attempts at development have so often been a failure and it is often puzzling to understand why some countries with desperate poverty and huge challenges somehow come to thrive (think S. Korea, Singapore, 19th C. America), while others languish. Clay offers a fresh way of thinking about development through the lens of his research on innovation and it is compelling. I bet this book gets a lot of attention, as most of his work does. I also suspect that many in the development community will hate it, as it calls into question the approach and enormous investments we have made in an attempt to lift countries out of poverty. A provocative read and, as always, Clay is a good storyteller.

What I’m watching:

Just watched Leave No Trace and should have guessed that it was directed by Debra Granik. She did Winter’s Bone, the extraordinary movie that launched Jennifer Lawrence’s career. Similarly, this movie features an amazing young actor, Thomasin McKenzie, and visits lives lived on the margins. In this case, a veteran suffering PTSD, and his 13-year-old daughter. The movie is patient, is visually lush, and justly earned 100% on Rotten Tomatoes (I have a rule to never watch anything under 82%). Everything in this film is under control and beautifully understated (aside from the visuals) – confident acting, confident directing, and so humane. I love the lack of flashbacks, the lack of sensationalism – the movie trusts the viewer, rare in this age of bombast. A lovely film.

December 4, 2018

What I’m listening to:

Spending a week in New Zealand, we had endless laughs listening to the Kiwi band, Flight of the Conchords. Lots of comedic bands are funny, but the music is only okay or worse. These guys are funny – hysterical really – and the music is great. They have an uncanny ability to parody almost any style. In both New Zealand and Australia, we found a wry sense of humor that was just delightful and no better captured than with this duo. You don’t have to be in New Zealand to enjoy them.

What I’m reading:

I don’t often reread. For two reasons: A) I have so many books on my “still to be read” pile that it seems daunting to also reread books I loved before, and B) it’s because I loved them once that I’m a little afraid to read them again. That said, I was recently asked to list my favorite book of all time and I answered Leo Tolstoy’s Anna Karenina. But I don’t really know if that’s still true (and it’s an impossible question anyway – favorite book? On what day? In what mood?), so I’m rereading it and it feels like being with an old friend. It has one of my very favorite scenes ever: the card game between Levin and Kitty that leads to the proposal and his joyous walking the streets all night.

What I’m watching:

Blindspotting is billed as a buddy-comedy. Wow does that undersell it and the drama is often gripping. I loved Daveed Diggs in Hamilton, didn’t like his character in Black-ish, and think he is transcendent in this film he co-wrote with Rafael Casal, his co-star.  The film is a love song to Oakland in many ways, but also a gut-wrenching indictment of police brutality, systemic racism and bias, and gentrification. The film has the freshness and raw visceral impact of Spike Lee’s Do the Right Thing. A great soundtrack, genre mixing, and energy make it one of my favorite movies of 2018.

October 15, 2018

What I’m listening to:

We had the opportunity to see our favorite band, The National, live in Dallas two weeks ago. Just after watching Mistaken for Strangers, the documentary sort of about the band. So we’ve spent a lot of time going back into their earlier work, listening to songs we don’t know well, and reaffirming that their musicality, smarts, and sound are both original and astoundingly good. They did not disappoint in concert and it is a good thing their tour ended, as we might just spend all of our time and money following them around. Matt Berninger is a genius and his lead vocals kill me (and because they are in my range, I can actually sing along!). Their arrangements are profoundly good and go right to whatever brain/heart wiring that pulls one in and doesn’t let them go.

What I’m reading:

Who is Richard Powers and why have I only discovered him now, with his 12th book? Overstory is profoundly good, a book that is essential and powerful and makes me look at my everyday world in new ways. In short, a dizzying example of how powerful can be narrative in the hands of a master storyteller. I hesitate to say it’s the best environmental novel I’ve ever read (it is), because that would put this book in a category. It is surely about the natural world, but it is as much about we humans. It’s monumental and elegiac and wondrous at all once. Cancel your day’s schedule and read it now. Then plant a tree. A lot of them.

What I’m watching:

Bo Burnham wrote and directed Eighth Grade and Elsie Fisher is nothing less than amazing as its star (what’s with these new child actors; see Florida Project). It’s funny and painful and touching. It’s also the single best film treatment that I have seen of what it means to grow up in a social media shaped world. It’s a reminder that growing up is hard. Maybe harder now in a world of relentless, layered digital pressure to curate perfect lives that are far removed from the natural messy worlds and selves we actually inhabit. It’s a well-deserved 98% on Rotten Tomatoes and I wonder who dinged it for the missing 2%.

September 7, 2018

What I’m listening to:

With a cover pointing back to the Beastie Boys’ 1986 Licensed to Ill, Eminem’s quietly released Kamikaze is not my usual taste, but I’ve always admired him for his “all out there” willingness to be personal, to call people out, and his sheer genius with language. I thought Daveed Diggs could rap fast, but Eminem is supersonic at moments, and still finds room for melody. Love that he includes Joyner Lucas, whose “I’m Not Racist” gets added to the growing list of simply amazing music videos commenting on race in America. There are endless reasons why I am the least likely Eminem fan, but when no one is around to make fun of me, I’ll put it on again.

What I’m reading:

Lesley Blume’s Everyone Behaves Badly, which is the story behind Hemingway’s The Sun Also Rises and his time in 1920s Paris (oh, what a time – see Midnight in Paris if you haven’t already). Of course, Blume disabuses my romantic ideas of that time and place and everyone is sort of (or profoundly so) a jerk, especially…no spoiler here…Hemingway. That said, it is a compelling read and coming off the Henry James inspired prose of Mrs. Osmond, it made me appreciate more how groundbreaking was Hemingway’s modern prose style. Like his contemporary Picasso, he reinvented the art and it can be easy to forget, these decades later, how profound was the change and its impact. And it has bullfights.

What I’m watching:

Chloé Zhao’s The Rider is just exceptional. It’s filmed on the Pine Ridge Reservation, which provides a stunning landscape, and it feels like a classic western reinvented for our times. The main characters are played by the real-life people who inspired this narrative (but feels like a documentary) film. Brady Jandreau, playing himself really, owns the screen. It’s about manhood, honor codes, loss, and resilience – rendered in sensitive, nuanced, and heartfelt ways. It feels like it could be about large swaths of America today. Really powerful.

August 16, 2018

What I’m listening to:

In my Spotify Daily Mix was Percy Sledge’s When A Man Loves A Woman, one of the world’s greatest love songs. Go online and read the story of how the song was discovered and recorded. There are competing accounts, but Sledge said he improvised it after a bad breakup. It has that kind of aching spontaneity. It is another hit from Muscle Shoals, Alabama, one of the GREAT music hotbeds, along with Detroit, Nashville, and Memphis. Our February Board meeting is in Alabama and I may finally have to do the pilgrimage road trip to Muscle Shoals and then Memphis, dropping in for Sunday services at the church where Rev. Al Green still preaches and sings. If the music is all like this, I will be saved.

What I’m reading:

John Banville’s Mrs. Osmond, his homage to literary idol Henry James and an imagined sequel to James’ 1881 masterpiece Portrait of a Lady. Go online and read the first paragraph of Chapter 25. He is…profoundly good. Makes me want to never write again, since anything I attempt will feel like some other, lowly activity in comparison to his mastery of language, image, syntax. This is slow reading, every sentence to be savored.

What I’m watching:

I’ve always respected Supreme Court Justice Ruth Bader Ginsburg, but we just watched the documentary RGB. It is over-the-top great and she is now one of my heroes. A superwoman in many ways and the documentary is really well done. There are lots of scenes of her speaking to crowds and the way young women, especially law students, look at her is touching.  And you can’t help but fall in love with her now late husband Marty. See this movie and be reminded of how important is the Law.

July 23, 2018

What I’m listening to:

Spotify’s Summer Acoustic playlist has been on repeat quite a lot. What a fun way to listen to artists new to me, including The Paper Kites, Hollow Coves, and Fleet Foxes, as well as old favorites like Leon Bridges and Jose Gonzalez. Pretty chill when dialing back to a summer pace, dining on the screen porch or reading a book.

What I’m reading:

Bryan Stevenson’s Just Mercy. Founder of the Equal Justice Initiative, Stevenson tells of the racial injustice (and the war on the poor our judicial system perpetuates as well) that he discovered as a young graduate from Harvard Law School and his fight to address it. It is in turn heartbreaking, enraging, and inspiring. It is also about mercy and empathy and justice that reads like a novel. Brilliant.

What I’m watching:

Fauda. We watched season one of this Israeli thriller. It was much discussed in Israel because while it focuses on an ex-special agent who comes out of retirement to track down a Palestinian terrorist, it was willing to reveal the complexity, richness, and emotions of Palestinian lives. And the occasional brutality of the Israelis. Pretty controversial stuff in Israel. Lior Raz plays Doron, the main character, and is compelling and tough and often hard to like. He’s a mess. As is the world in which he has to operate. We really liked it, and also felt guilty because while it may have been brave in its treatment of Palestinians within the Israeli context, it falls back into some tired tropes and ultimately falls short on this front.

June 11, 2018

What I’m listening to:

Like everyone else, I’m listening to Pusha T drop the mic on Drake. Okay, not really, but do I get some points for even knowing that? We all walk around with songs that immediately bring us back to a time or a place. Songs are time machines. We are coming up on Father’s Day. My own dad passed away on Father’s Day back in 1994 and I remembering dutifully getting through the wake and funeral and being strong throughout. Then, sitting alone in our kitchen, Don Henley’s The End of the Innocence came on and I lost it. When you lose a parent for the first time (most of us have two after all) we lose our innocence and in that passage, we suddenly feel adult in a new way (no matter how old we are), a longing for our own childhood, and a need to forgive and be forgiven. Listen to the lyrics and you’ll understand. As Wordsworth reminds us in In Memoriam, there are seasons to our grief and, all these years later, this song no longer hits me in the gut, but does transport me back with loving memories of my father. I’ll play it Father’s Day.

What I’m reading:

The Fifth Season, by N. K. Jemisin. I am not a reader of fantasy or sci-fi, though I understand they can be powerful vehicles for addressing the very real challenges of the world in which we actually live. I’m not sure I know of a more vivid and gripping illustration of that fact than N. K. Jemisin’s Hugo Award winning novel The Fifth Season, first in her Broken Earth trilogy. It is astounding. It is the fantasy parallel to The Underground Railroad, my favorite recent read, a depiction of subjugation, power, casual violence, and a broken world in which our hero(s) struggle, suffer mightily, and still, somehow, give us hope. It is a tour de force book. How can someone be this good a writer? The first 30 pages pained me (always with this genre, one must learn a new, constructed world, and all of its operating physics and systems of order), and then I could not put it down. I panicked as I neared the end, not wanting to finish the book, and quickly ordered the Obelisk Gate, the second novel in the trilogy, and I can tell you now that I’ll be spending some goodly portion of my weekend in Jemisin’s other world.

What I’m watching:

The NBA Finals and perhaps the best basketball player of this generation. I’ve come to deeply respect LeBron James as a person, a force for social good, and now as an extraordinary player at the peak of his powers. His superhuman play during the NBA playoffs now ranks with the all-time greats, Larry Bird, Magic Johnson, MJ, Kobe, and the demi-god that was Bill Russell. That his Cavs lost in a 4-game sweep is no surprise. It was a mediocre team being carried on the wide shoulders of James (and matched against one of the greatest teams ever, the Warriors, and the Harry Potter of basketball, Steph Curry) and, in some strange way, his greatness is amplified by the contrast with the rest of his team. It was a great run.

May 24, 2018

What I’m listening to:

I’ve always liked Alicia Keys and admired her social activism, but I am hooked on her last album Here. This feels like an album finally commensurate with her anger, activism, hope, and grit. More R&B and Hip Hop than is typical for her, I think this album moves into an echelon inhabited by a Marvin Gaye’s What’s Going On or Beyonce’s Formation. Social activism and outrage rarely make great novels, but they often fuel great popular music. Here is a terrific example.

What I’m reading:

Colson Whitehead’s Underground Railroad may be close to a flawless novel. Winner of the 2017 Pulitzer, it chronicles the lives of two runaway slaves, Cora and Caeser, as they try to escape the hell of plantation life in Georgia.  It is an often searing novel and Cora is one of the great heroes of American literature. I would make this mandatory reading in every high school in America, especially in light of the absurd revisionist narratives of “happy and well cared for” slaves. This is a genuinely great novel, one of the best I’ve read, the magical realism and conflating of time periods lifts it to another realm of social commentary, relevance, and a blazing indictment of America’s Original Sin, for which we remain unabsolved.

What I’m watching:

I thought I knew about The Pentagon Papers, but The Post, a real-life political thriller from Steven Spielberg taught me a lot, features some of our greatest actors, and is so timely given the assault on our democratic institutions and with a presidency out of control. It is a reminder that a free and fearless press is a powerful part of our democracy, always among the first targets of despots everywhere. The story revolves around the legendary Post owner and D.C. doyenne, Katharine Graham. I had the opportunity to see her son, Don Graham, right after he saw the film, and he raved about Meryl Streep’s portrayal of his mother. Liked it a lot more than I expected.

April 27, 2018

What I’m listening to:

I mentioned John Prine in a recent post and then on the heels of that mention, he has released a new album, The Tree of Forgiveness, his first new album in ten years. Prine is beloved by other singer songwriters and often praised by the inscrutable God that is Bob Dylan.  Indeed, Prine was frequently said to be the “next Bob Dylan” in the early part of his career, though he instead carved out his own respectable career and voice, if never with the dizzying success of Dylan. The new album reflects a man in his 70s, a cancer survivor, who reflects on life and its end, but with the good humor and empathy that are hallmarks of Prine’s music. “When I Get To Heaven” is a rollicking, fun vision of what comes next and a pure delight. A charming, warm, and often terrific album.

What I’m reading:

I recently read Min Jin Lee’s Pachinko, on many people’s Top Ten lists for last year and for good reason. It is sprawling, multi-generational, and based in the world of Japanese occupied Korea and then in the Korean immigrant’s world of Oaska, so our key characters become “tweeners,” accepted in neither world. It’s often unspeakably sad, and yet there is resiliency and love. There is also intimacy, despite the time and geographic span of the novel. It’s breathtakingly good and like all good novels, transporting.

What I’m watching:

I adore Guillermo del Toro’s 2006 film, Pan’s Labyrinth, and while I’m not sure his Shape of Water is better, it is a worthy follow up to the earlier masterpiece (and more of a commercial success). Lots of critics dislike the film, but I’m okay with a simple retelling of a Beauty and the Beast love story, as predictable as it might be. The acting is terrific, it is visually stunning, and there are layers of pain as well as social and political commentary (the setting is the US during the Cold War) and, no real spoiler here, the real monsters are humans, the military officer who sees over the captured aquatic creature. It is hauntingly beautiful and its depiction of hatred to those who are different or “other” is painfully resonant with the time in which we live. Put this on your “must see” list.

March 18, 2018

What I’m listening to:

Sitting on a plane for hours (and many more to go; geez, Australia is far away) is a great opportunity to listen to new music and to revisit old favorites. This time, it is Lucy Dacus and her album Historians, the new sophomore release from a 22-year old indie artist that writes with relatable, real-life lyrics. Just on a second listen and while she insists this isn’t a break up record (as we know, 50% of all great songs are break up songs), it is full of loss and pain. Worth the listen so far. For the way back machine, it’s John Prine and In Spite of Ourselves (that title track is one of the great love songs of all time), a collection of duets with some of his “favorite girl singers” as he once described them. I have a crush on Iris Dement (for a really righteously angry song try her Wasteland of the Free), but there is also EmmyLou Harris, the incomparable Dolores Keane, and Lucinda Williams. Very different albums, both wonderful.

What I’m reading:

Jane Mayer’s New Yorker piece on Christopher Steele presents little that is new, but she pulls it together in a terrific and coherent whole that is illuminating and troubling at the same time. Not only for what is happening, but for the complicity of the far right in trying to discredit that which should be setting off alarm bells everywhere. Bob Mueller may be the most important defender of the democracy at this time. A must read.

What I’m watching:

Homeland is killing it this season and is prescient, hauntingly so. Russian election interference, a Bannon-style hate radio demagogue, alienated and gun toting militia types, and a president out of control. It’s fabulous, even if it feels awfully close to the evening news. 

March 8, 2018

What I’m listening to:

We have a family challenge to compile our Top 100 songs. It is painful. Only 100? No more than three songs by one artist? Wait, why is M.I.A.’s “Paper Planes” on my list? Should it just be The Clash from whom she samples? Can I admit to guilty pleasure songs? Hey, it’s my list and I can put anything I want on it. So I’m listening to the list while I work and the song playing right now is Tom Petty’s “The Wild One, Forever,” a B-side single that was never a hit and that remains my favorite Petty song. Also, “Evangeline” by Los Lobos. It evokes a night many years ago, with friends at Pearl Street in Northampton, MA, when everyone danced well past 1AM in a hot, sweaty, packed club and the band was a revelation. Maybe the best music night of our lives and a reminder that one’s 100 Favorite Songs list is as much about what you were doing and where you were in your life when those songs were playing as it is about the music. It’s not a list. It’s a soundtrack for this journey.

What I’m reading:

Patricia Lockwood’s Priestdaddy was in the NY Times top ten books of 2017 list and it is easy to see why. Lockwood brings remarkable and often surprising imagery, metaphor, and language to her prose memoir and it actually threw me off at first. It then all became clear when someone told me she is a poet. The book is laugh aloud funny, which masks (or makes safer anyway) some pretty dark territory. Anyone who grew up Catholic, whether lapsed or not, will resonate with her story. She can’t resist a bawdy anecdote and her family provides some of the most memorable characters possible, especially her father, her sister, and her mother, who I came to adore. Best thing I’ve read in ages.

What I’m watching:

The Florida Project, a profoundly good movie on so many levels. Start with the central character, six-year old (at the time of the filming) Brooklynn Prince, who owns – I mean really owns – the screen. This is pure acting genius and at that age? Astounding. Almost as astounding is Bria Vinaite, who plays her mother. She was discovered on Instagram and had never acted before this role, which she did with just three weeks of acting lessons. She is utterly convincing and the tension between the child’s absolute wonder and joy in the world with her mother’s struggle to provide, to be a mother, is heartwarming and heartbreaking all at once. Willem Dafoe rightly received an Oscar nomination for his supporting role. This is a terrific movie.

February 12, 2018

What I’m listening to:

So, I have a lot of friends of age (I know you’re thinking 40s, but I just turned 60) who are frozen in whatever era of music they enjoyed in college or maybe even in their thirties. There are lots of times when I reach back into the catalog, since music is one of those really powerful and transporting senses that can take you through time (smell is the other one, though often underappreciated for that power). Hell, I just bought a turntable and now spending time in vintage vinyl shops. But I’m trying to take a lesson from Pat, who revels in new music and can as easily talk about North African rap music and the latest National album as Meet the Beatles, her first ever album. So, I’ve been listening to Kendrick Lamar’s Grammy winning Damn. While it may not be the first thing I’ll reach for on a winter night in Maine, by the fire, I was taken with it. It’s layered, political, and weirdly sensitive and misogynist at the same time, and it feels fresh and authentic and smart at the same time, with music that often pulled me from what I was doing. In short, everything music should do. I’m not a bit cooler for listening to Damn, but when I followed it with Steely Dan, I felt like I was listening to Lawrence Welk. A good sign, I think.

What I’m reading:

I am reading Walter Isaacson’s new biography of Leonardo da Vinci. I’m not usually a reader of biographies, but I’ve always been taken with Leonardo. Isaacson does not disappoint (does he ever?), and his subject is at once more human and accessible and more awe-inspiring in Isaacson’s capable hands. Gay, left-handed, vegetarian, incapable of finishing things, a wonderful conversationalist, kind, and perhaps the most relentlessly curious human being who has ever lived. Like his biographies of Steve Jobs and Albert Einstein, Isaacson’s project here is to show that genius lives at the intersection of science and art, of rationality and creativity. Highly recommend it.

What I’m watching:

We watched the This Is Us post-Super Bowl episode, the one where Jack finally buys the farm. I really want to hate this show. It is melodramatic and manipulative, with characters that mostly never change or grow, and it hooks me every damn time we watch it. The episode last Sunday was a tear jerker, a double whammy intended to render into a blubbering, tissue-crumbling pathetic mess anyone who has lost a parent or who is a parent. Sterling K. Brown, Ron Cephas Jones, the surprising Mandy Moore, and Milo Ventimiglia are hard not to love and last season’s episode that had only Brown and Cephas going to Memphis was the show at its best (they are by far the two best actors). Last week was the show at its best worst. In other words, I want to hate it, but I love it. If you haven’t seen it, don’t binge watch it. You’ll need therapy and insulin.

January 15, 2018

What I’m listening to:

Drive-By Truckers. Chris Stapleton has me on an unusual (for me) country theme and I discovered these guys to my great delight. They’ve been around, with some 11 albums, but the newest one is fascinating. It’s a deep dive into Southern alienation and the white working-class world often associated with our current president. I admire the willingness to lay bare, in kick ass rock songs, the complexities and pain at work among people we too quickly place into overly simple categories. These guys are brave, bold, and thoughtful as hell, while producing songs I didn’t expect to like, but that I keep playing. And they are coming to NH.

What I’m reading:

A textual analog to Drive-By Truckers by Chris Stapleton in many ways is Tony Horowitz’s 1998 Pulitzer Prize winning Confederates in the Attic. Ostensibly about the Civil War and the South’s ongoing attachment to it, it is prescient and speaks eloquently to the times in which we live (where every southern state but Virginia voted for President Trump). Often hilarious, it too surfaces complexities and nuance that escape a more recent, and widely acclaimed, book like Hillbilly Elegy. As a Civil War fan, it was also astonishing in many instances, especially when it blows apart long-held “truths” about the war, such as the degree to which Sherman burned down the south (he did not). Like D-B Truckers, Horowitz loves the South and the people he encounters, even as he grapples with its myths of victimhood and exceptionalism (and racism, which may be no more than the racism in the north, but of a different kind). Everyone should read this book and I’m embarrassed I’m so late to it.

What I’m watching:

David Letterman has a new Netflix show called “My Next Guest Needs No Introduction” and we watched the first episode, in which Letterman interviewed Barack Obama. It was extraordinary (if you don’t have Netflix, get it just to watch this show); not only because we were reminded of Obama’s smarts, grace, and humanity (and humor), but because we saw a side of Letterman we didn’t know existed. His personal reflections on Selma were raw and powerful, almost painful. He will do five more episodes with “extraordinary individuals” and if they are anything like the first, this might be the very best work of his career and one of the best things on television.

December 22, 2017

What I’m reading:

Just finished Sunjeev Sahota’s Year of the Runaways, a painful inside look at the plight of illegal Indian immigrant workers in Britain. It was shortlisted for 2015 Man Booker Prize and its transporting, often to a dark and painful universe, and it is impossible not to think about the American version of this story and the terrible way we treat the undocumented in our own country, especially now.

What I’m watching:

Season II of The Crown is even better than Season I. Elizabeth’s character is becoming more three-dimensional, the modern world is catching up with tradition-bound Britain, and Cold War politics offer more context and tension than we saw in Season I. Claire Foy, in her last season, is just terrific – one arched eye brow can send a message.

What I’m listening to:

A lot of Christmas music, but needing a break from the schmaltz, I’ve discovered Over the Rhine and their Christmas album, Snow Angels. God, these guys are good.

November 14, 2017

What I’m watching:

Guiltily, I watch the Patriots play every weekend, often building my schedule and plans around seeing the game. Why the guilt? I don’t know how morally defensible is football anymore, as we now know the severe damage it does to the players. We can’t pretend it’s all okay anymore. Is this our version of late decadent Rome, watching mostly young Black men take a terrible toll on each other for our mere entertainment?

What I’m reading:

Recently finished J.G. Ballard’s 2000 novel Super-Cannes, a powerful depiction of a corporate-tech ex-pat community taken over by a kind of psychopathology, in which all social norms and responsibilities are surrendered to residents of the new world community. Kept thinking about Silicon Valley when reading it. Pretty dark, dystopian view of the modern world and centered around a mass killing, troublingly prescient.

What I’m listening to:

Was never really a Lorde fan, only knowing her catchy (and smarter than you might first guess) pop hit “Royals” from her debut album. But her new album, Melodrama, is terrific and it doesn’t feel quite right to call this “pop.” There is something way more substantial going on with Lorde and I can see why many critics put this album at the top of their Best in 2017 list. Count me in as a huge fan.

November 3, 2017

What I’m reading: Just finished Celeste Ng’s Little Fires Everywhere, her breathtakingly good second novel. How is someone so young so wise? Her writing is near perfection and I read the book in two days, setting my alarm for 4:30AM so I could finish it before work.

What I’m watching: We just binge watched season two of Stranger Things and it was worth it just to watch Millie Bobbie Brown, the transcendent young actor who plays Eleven. The series is a delightful mash up of every great eighties horror genre you can imagine and while pretty dark, an absolute joy to watch.

What I’m listening to: I’m not a lover of country music (to say the least), but I love Chris Stapleton. His “The Last Thing I Needed, First Thing This Morning” is heartbreakingly good and reminds me of the old school country that played in my house as a kid. He has a new album and I can’t wait, but his From A Room: Volume 1 is on repeat for now.

September 26, 2017

What I’m reading:

Just finished George Saunder’s Lincoln in the Bardo. It took me a while to accept its cadence and sheer weirdness, but loved it in the end. A painful meditation on loss and grief, and a genuinely beautiful exploration of the intersection of life and death, the difficulty of letting go of what was, good and bad, and what never came to be.

What I’m watching:

HBO’s The Deuce. Times Square and the beginning of the porn industry in the 1970s, the setting made me wonder if this was really something I’d want to see. But David Simon is the writer and I’d read a menu if he wrote it. It does not disappoint so far and there is nothing prurient about it.

What I’m listening to:

The National’s new album Sleep Well Beast. I love this band. The opening piano notes of the first song, “Nobody Else Will Be There,” seize me & I’m reminded that no one else in music today matches their arrangement & musicianship. I’m adding “Born to Beg,” “Slow Show,” “I Need My Girl,” and “Runaway” to my list of favorite love songs.

https://ift.tt/eA8V8J from President's Corner http://bit.ly/2TKgYmH via IFTTT

[britesparc]

Weekend Top Ten #358

Top Ten Things That Look Cool in 2019

After last week’s trip down memory lane, stopping in all of 2018’s laybys for a wee, I'm turning my attention to the coming year. 2018 was, in a lot of ways, great; can 2019 top it? I mean, for a start, we might see the back of both Trump and Brexit, although I admit in both cases that’s probably a long shot; Brexit might even end up consuming the entire world like that little black hole thing they fire at Vulcan in Star Trek. But I remain an optimist, and I think even these twin evils can be vanquished. But, really, I'm meant to be talking about fun entertainment-y type stuff. Otherwise I'd fill these things with “aww, my little girl starts school” or “boy, I hope I don’t contract Ebola”.

So! What could be better than the year that brought us the end of IDW’s Transformers comics and the biggest Avengers movie of all time? How about a year that brings us the start of a new range of IDW Transformers comics and an even bigger Avengers movie, AND a Star War?

So. 2019. Ten things. Don’t disappoint me, you fickle time bastard.

Ends of an eras: look, in 2019, a Star Wars trilogy ends. Not only that, but it’s the end of a trilogy of trilogies; arguably the culmination of a story begun over forty years ago and which has changed cinema irrevocably, more than once. And that is not even the most exciting film released in 2019. Avengers: Endgame and Star Wars Episode IX are two of the biggest, most exciting-looking, most-anticipated films of my entire life, and they come out merely months apart. I can’t get over it. It's ridiculous. Literally nothing else comes close to generating the buzz I get from these two films. Disney owns my soul.

Animation showdown: if further proof were needed vis-a-vis Disney and soul-owning, there is also a battle of the animation superpowers when Pixar’s brightest goes up against Disney Animation’s biggest. Toy Story 4 and Frozen 2 both come out in 2019. Despite all three Toy Storys being better than Frozen, I'm probably more excited to return to Arendelle than to Bonnie’s toybox; we have three perfect Toy Story films already, and I just can’t believe that a fourth will be anything other than a disappointment, even if it’s really very good. A sequel to Frozen still has a North Mountain to climb, but I'm more comfortable with it being less of a masterpiece. As to which will make more money? I reckon if it’s good, if there’s a wind behind it, and if Star Wars doesn’t hoover up too much airspace, Frozen 2 could be not only the biggest animated movie of all time but maybe – just maybe – the first animation to hit $2 billion.

Next-gen now: well, not now exactly; more likely 2020. But all things being equal 2019 will see the first concrete details – maybe even names?! - of the successor consoles to the PS4 and Xbox One. I’m really interested in seeing where they go from here: game streaming? Integrated VR? 8k? Beyond the grunt and gimmicks, I'd like to see a next-gen that offered gameplay-improving abilities such as deformable scenery, vast crowds, destructible cities, water and flame physics, rather than just sexier graphics or even more Ds to make H. All the same, I'm really excited to see how it all pans out.

It never ends: as one door closes, so another transforms into a giant robotic dinosaur and breathes fire. Yes, coming soon to a comic store near you, is IDW’s revamped and rebooted Transformers universe. Streamlined, bereft of around 13 years of continuity, potentially excluded from the wider universe of Hasbro properties, we have (yet) another origin of everyone’s favourite robots in disguise (sorry, Go-Bots). The idea to set the story on Cybertron, pre-war, is a good one, and seeing newer characters like Windblade take their rightful place in Transformers lore is delightful (I hope we see other comics-originated characters like Nautica and Aileron before too long). My only reservation (other than, y’know, this series following my favourite series of all time) is that some of the best Transformers stories ever told were about pre-war Cybertron, and specifically Megatron’s ideology and subsequent formation of the Decepticons. I’m still really excited, but can this possibly come close to living up to what came before?

Discovering Picard: two Star Trek shows in one year? What is this, 1996?! But it’s (probably going to be) true: season 2 of Discovery starts very soon, bringing with it Pike, Spock, and the Enterprise. Truth be told, although I dug Disco, it didn’t feel quite as “Star Trek-y" as it could have, and trying to square its continuity circles gave me a headache. How its darker take on the Federation’s history will impinge on characters we already know gives me pause. I’m much more excited – although likewise much more nervous – about Patrick Stewart’s return to the franchise in the currently-untitled Picard spin-off. Next Generation is my favourite Trek flavour, so catching up with probably my favourite character and seeing how the universe has evolved beyond the ending of Nemesis is – wait for it – engaging. See what I did there?

Get ready, Agent: I’ve been looking forward to a new Crackdown for years. Not just since Crackdown 3’s announcement in (wow!) 2014; I’ve been hoping and wishing and praying since Crackdown 2 (which, weirdly, I never really got into). Off the top of my head, I can’t really think of another announced game in 2019 which I'm really excited for; just as well, as I’ve still got Mass Effect: Andromeda, Red Dead Redemption 2, and Gears of War 4 to complete. But I love the superheroic verticality of Crackdown, the tower-climbing, orb-collecting, minivan-throwing power you feel. The second-to-second gameplay in the first game is one of my top gaming experiences of all time, right up there with Halo in terms of sheer enjoyment rush. I’m disappointed the freeform destruction appears cordoned off in a multiplayer arena, and the game doesn’t appear to have evolved much since 2007, plus it’s had a protracted and apparently difficult development... but I love Crackdown, so I'm keeping everything crossed.

Strang3r: I missed Stranger Things this year. Whilst perhaps not quite reaching the heights of the first season, Stranger Things 2 was more consistent for me, building from episode to episode and feeling like a more complete package (the slightly dodgy Eleven-in-the-big-city story notwithstanding). So I'm really looking forward to Part 3. Moving out of its spooky Halloween comfort zone is a bold move, but perhaps allows for some delightful blockbuster thrills. It'll be interesting to see how the young cast fare as they get older, and hopefully they’ll continue to put David Harbour and Winona Ryder closer to the action.

Literate TV: there are a number of Capital-B-Big adaptations of books coming to the small screen this year: Good Omens (which I'm reading at the moment), His Dark Materials (which is one of my favourite books), and Catch-22 (which is also rather good). This is to say nothing of the Gatiss & Moffat Dracula adaptation, which may still sneak in at the end of the year. Although my TV backlog is ridiculous at the moment – including most of the Marvel Netflix stuff, the last couple Maniacs, Sabrina, Lost in Space, and fellow Gaiman adaptation American Gods – these all sound rather fantastic, and I can’t wait.

Livewood: speaking of classic TV... I can’t believe it’s actually happening, but the Deadwood movie is apparently coming out this year. Deadwood is phenomenal, one of my favourite shows of all time, cut down far too soon, and it’s so, so good that they’re finally being allowed to finish their story. I’m worried, naturally, as I often am when classics are revisited; but truth be told I'm more worried about how I'm going to watch it as it’s all HBO. Presumably it’ll be on Sky or something.

Gelflings-a-go-go: what’s this? More TV? Bloody hell, how on Earth am I going to finish writing my book?! To say nothing of completing Red Dead! Anyway, this is another Netflix biggie: a prequel/continuation/spin-off/whatever of beloved 80s puppet curio The Dark Crystal, the weirdest and creepiest kids’ movie ever made. I'm fascinated to see how they build upon what Jim Henson created, especially as I believe it was a very personal movie for him. Also: have you seen the cast list?! Blimey!

All that, and I still didn’t get round to the other superhero films (including two Captain Marvels – or Captains Marvel?), the return of Alan Partridge, the frankly-tragic-looking (in a good way) conclusion of the How to Train Your Dragon trilogy, DC’s young-reader-friendly Wonder Comics, and Once Upon a Time in Hollywood. There are an awful lot of things to look forward to this year, even if the rest of the world is getting all Children of Men on us.

[justamilkshake]

Things This Week

Highlights from May 22th to May 28th 2017

This week started with me finally getting over a cold that started brewing the previous week. I am so weak.

Monday tv was as even more awesome than usual. We started with the Laurie episode of The Leftovers, only two more doses of weekly heartbreak. Amy Brenneman was so good. Veep was also very good but the main event was Twin Peaks. We were about halfway through the first two episodes when we realized we could also watch the third and the fourth so we had a mini-marathon. Twin Peaks is back! And it is more Lynchian than ever!

On Tuesday Jane the Virgin finished its third season. It has been a very satisfying rollercoaster and I can’t wait for season 4 but I really hope they don’t make Jane and Rafael endgame. They work so well as friends, like this episode showed. And the wedding scene was so beautiful. And Alba telling Xiomara she loves her. And telling Rogelio she loves him. I cried so much.

The Americans had a very memorable episode and there is only one left! We also watched two episodes of The Handmaid’s Tale, last week’s, which was focused on Serena Joy and it was a good one and this week’s, showing Luke’s journey. It’s sad but the show is not as brilliant now as the first three episodes promised.

This week we also started American Crime’s second season and we are enjoying it. It looks like it’s going to have very powerful performances. And we finished the week with American Gods, which is probably the best show we follow. The one hour episodes feel like twenty minutes and all the characters are so interesting. And there were two scenes with Gillian Anderson!

For movies, we decided to go all in with the Queer Challenge theme of the week, so we watched quite a few movies with bisexual characters. The official entry for the challenge was Jean-Marc Vallée’s C.R.A.Z.Y. wich was quite disappointing. In general, all the movies have been worthwile. The worst was probably Los 2 lados de la cama, and it is so ridiculous that it ends up being a good time. Brideshead Revisited was terribly boring. Humpday, The Color Purple and Fried Green Tomatoes were ok but not revelatory. Krampack, Au plein soleil and Bessie were all very good. The Dreamers and El sexo de los ángeles were incredibly good. And there were two movies that were simply masterpieces. Hou Hsiao Hsien’s romantic and sad Three Times and Marco Berger’s tender and funny Plan B.

Outside the project we watched Mahogany and Seis puntos sobre Emma, neither extremely remarkable.

This week, Cannes ended as well so we watched the awards ceremony and I am beyond ecstatic that Nicole Kidman was given the anniversary award. I was completely expecting it to go to David Lynch because he was in the audience and Nicole was not but when Pedro Almodóvar said her name I shrieked and got goosebumps. I can’t wait to see her four projects from the festival.

With our tv binge of Monday, we binged on food as well. I had popcorn, we shared donuts (we are addicted to the Pink Panther ones), D had coffee with Twin Peaks because obviously and we ordered Domino’s to top it off. On, Sunday to celebrate Nicole Kidman, D treated me to Vips where we played our annual game of ranking the Cannes movies by how much we want to see them. The Beguiled won, of course.

All in all, my life is way better than yours. 

[flashhdtv]

[ENGSUB] Mr. Heart Episode 7,8 (BL) Korean Drama Romance 2020

Watch Mr. Heart  Season 1 Episode 7, 8 1–2–3–4–5–1–7–8–9–10 Full Episode Mr. Heart  Temporada 1 Capítulo 7, 8 Sub English / Español 2020 ➤ http://watchepisode.online-tvs.com/series/386736/1/7 VISIT HERE ➤➤ http://watchepisode.online-tvs.com/series/386736/1/8

A member of the school track team, Sang Ha (Lee Se Jin) loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy. Jin Won (Cheon Seung Ho), on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race. When Jin Won finds himself struggling to maintain his record-breaking stats, his coach suggests Sang Ha step in to help as a pacemaker. Disappointed in the coach’s decision, Jin Won is anything but friendly to his new partner but with time and determination, the two runners come to find they share a similar passion, both on the track and off.

🎬 Mr. Heart Episode 7, 8 Online Free 🎬

Title : Mr. Heart Episode Title : 7 & 8 Release Date : 02 Oct 2020 Runtime : 10 minutes Genres : Comedy , Drama , Mini-Series , Romance Networks : Viki

Mr. Heart Mr하트

Despite the fact that things just never seem to go his way, Sang Ha always manages to find a reason to smile. A member of the school track team, Sang Ha loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy.

Jin Won, on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race.

Show Info

Web channel: Viki (2020 - now) Schedule: Fridays Status: Running Language: Korean Show Type: Scripted Genres: Drama Romance Episodes ordered: 8 episodes

With dozens of films genre being released each year, a typical one that gets overlooked by the more popular ones (action, drama, comedy, animation, etc.) is the subgenre category of religious movie. These films (sometimes called “faith-based” features) usually center around the struggles and ideas of a person (or groups) identity of a religious faith, which is, more or less, has a profound event or obstacle to overcome. While not entirely, the most commonplace religious type movies focus on the religion of Christianity, sometimes venturing back into the past in cinematic retelling classic biblical tales, including famed epic films like Ten Commandments and Ben-Hur (the original 1959 version) to some more modern endeavors from Hollywood like Risen, The Young Messiah, and Paul, Apostle of Christ. Other Christian “faith” films finds a more contemporary setting to tell its story, with some being “based on a true-life account” like the movies Unconditional, Heaven is Real, Unbroken, I Can Only Imagine, Indivisible, and Miracles from Heaven, while others might find inspiration from literary novels / fictionalized narratives like The Shack, Overcomer, War Room, and Same Kind of Different as Me. Regardless, whether finding inspiration from true life, references from the bible, or originality, these movies usually speaks on a person’s faith and the inner struggle he or she has within or one society’s views, spreading a message of belief and the understand of one’s belief. Now, after the success of 2018’s I Can Only Imagine, directors Andrew and Jon Erwin (the Erwin Brothers) and Lionsgate studios release the 2020 faith-based film / music biopic feature I Still Believe. Does the film walk a fine line between its religious aspects and cinematic entertainment or does the movie get entangled in its own faith-based preaching?

THE STORY

Its 1999 and Jeremy Camp (K.J. Apa) is a young and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD

Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie genres out there, but sometimes they can a bit preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 2014’s Exodus: Gods and Kings and 2016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film. This brings me around to talking about I Still Believe, a 2020 motion picture release of the Christian religious faith-based genre. As almost customary, Hollywood usually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases usually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). Plus, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. Thus, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religious message is clearly there, but takes too many detours and not focusing on certain aspects that weigh the feature’s presentation. As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previous directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religious based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he must face along the way, while musical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religious overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt dramatic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who must learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religious faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these dramatic heartfelt movies….get your tissues out. In terms of presentation, I Still Believe meets the industry standard of a religious faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. Thus, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the various aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the various “behind the scenes” team / areas that I usually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the industry standard for a faith-based movie. Additionally, the musical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others. Unfortunately, not all is found to be pure and religiously cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially because the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focus (and justly so), but pretty much everything else gets completely pushed aside, including Jeremy’s musical career rise to stardom and many of the various characters and their importance (more on that below). This also causes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing). Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite customary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. Thus, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his music career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religious thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey. The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring musical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclusion. All the scenes he does are well-represented (be it character-based or dramatic) and certainly sells the journey that Jeremy undergoes in the movie. Plus, Apa can also sing, which does lend credence to many of the scene’s musical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Us, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. Thus, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa. In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 13) and musician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as musical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than just underdeveloped caricatures in the film, which is a shame and disappointing.

FINAL THOUGHTS

The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.

[flashhdtv]

‘Episode 7, 8’ | Mr. Heart Ep.7, 8 [EngSub] Korean Drama BL 2020

Watch Mr. Heart  Season 1 Episode 7, 8 1–2–3–4–5–1–7–8–9–10 Full Episode Mr. Heart  Temporada 1 Capítulo 7, 8 Sub English / Español 2020 ➤ http://watchepisode.online-tvs.com/series/386736/1/7 VISIT HERE ➤➤ http://watchepisode.online-tvs.com/series/386736/1/8

A member of the school track team, Sang Ha (Lee Se Jin) loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy. Jin Won (Cheon Seung Ho), on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race. When Jin Won finds himself struggling to maintain his record-breaking stats, his coach suggests Sang Ha step in to help as a pacemaker. Disappointed in the coach’s decision, Jin Won is anything but friendly to his new partner but with time and determination, the two runners come to find they share a similar passion, both on the track and off.

🎬 Mr. Heart Episode 7, 8 Online Free 🎬

Episode 7 : http://watchepisode.online-tvs.com/series/386736/1/7

Episode 8 : http://watchepisode.online-tvs.com/series/386736/1/8

Title : Mr. Heart Episode Title : 7 & 8 Release Date : 02 Oct 2020 Runtime : 10 minutes Genres : Comedy , Drama , Mini-Series , Romance Networks : Viki

Mr. Heart Mr하트

Despite the fact that things just never seem to go his way, Sang Ha always manages to find a reason to smile. A member of the school track team, Sang Ha loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy.

Jin Won, on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race.

Show Info

Web channel: Viki (2020 - now) Schedule: Fridays Status: Running Language: Korean Show Type: Scripted Genres: Drama Romance Episodes ordered: 8 episodes

With dozens of films genre being released each year, a typical one that gets overlooked by the more popular ones (action, drama, comedy, animation, etc.) is the subgenre category of religious movie. These films (sometimes called “faith-based” features) usually center around the struggles and ideas of a person (or groups) identity of a religious faith, which is, more or less, has a profound event or obstacle to overcome. While not entirely, the most commonplace religious type movies focus on the religion of Christianity, sometimes venturing back into the past in cinematic retelling classic biblical tales, including famed epic films like Ten Commandments and Ben-Hur (the original 1959 version) to some more modern endeavors from Hollywood like Risen, The Young Messiah, and Paul, Apostle of Christ. Other Christian “faith” films finds a more contemporary setting to tell its story, with some being “based on a true-life account” like the movies Unconditional, Heaven is Real, Unbroken, I Can Only Imagine, Indivisible, and Miracles from Heaven, while others might find inspiration from literary novels / fictionalized narratives like The Shack, Overcomer, War Room, and Same Kind of Different as Me. Regardless, whether finding inspiration from true life, references from the bible, or originality, these movies usually speaks on a person’s faith and the inner struggle he or she has within or one society’s views, spreading a message of belief and the understand of one’s belief. Now, after the success of 2018’s I Can Only Imagine, directors Andrew and Jon Erwin (the Erwin Brothers) and Lionsgate studios release the 2020 faith-based film / music biopic feature I Still Believe. Does the film walk a fine line between its religious aspects and cinematic entertainment or does the movie get entangled in its own faith-based preaching?

THE STORY

Its 1999 and Jeremy Camp (K.J. Apa) is a young and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD

Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie genres out there, but sometimes they can a bit preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 2014’s Exodus: Gods and Kings and 2016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film. This brings me around to talking about I Still Believe, a 2020 motion picture release of the Christian religious faith-based genre. As almost customary, Hollywood usually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases usually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). Plus, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. Thus, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religious message is clearly there, but takes too many detours and not focusing on certain aspects that weigh the feature’s presentation. As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previous directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religious based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he must face along the way, while musical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religious overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt dramatic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who must learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religious faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these dramatic heartfelt movies….get your tissues out. In terms of presentation, I Still Believe meets the industry standard of a religious faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. Thus, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the various aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the various “behind the scenes” team / areas that I usually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the industry standard for a faith-based movie. Additionally, the musical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others. Unfortunately, not all is found to be pure and religiously cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially because the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focus (and justly so), but pretty much everything else gets completely pushed aside, including Jeremy’s musical career rise to stardom and many of the various characters and their importance (more on that below). This also causes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing). Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite customary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. Thus, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his music career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religious thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey. The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring musical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclusion. All the scenes he does are well-represented (be it character-based or dramatic) and certainly sells the journey that Jeremy undergoes in the movie. Plus, Apa can also sing, which does lend credence to many of the scene’s musical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Us, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. Thus, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa. In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 13) and musician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as musical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than just underdeveloped caricatures in the film, which is a shame and disappointing.

FINAL THOUGHTS

The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.

[flashhdtv]

[ENGSUB] 'Mr. Heart' EP 7 & 8 On Viki's

Watch Mr. Heart  Season 1 Episode 7, 8 1–2–3–4–5–1–7–8–9–10 Full Episode Mr. Heart  Temporada 1 Capítulo 7, 8 Sub English / Español 2020 ➤ http://watchepisode.online-tvs.com/series/386736/1/7 VISIT HERE ➤➤ http://watchepisode.online-tvs.com/series/386736/1/8

A member of the school track team, Sang Ha (Lee Se Jin) loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy. Jin Won (Cheon Seung Ho), on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race. When Jin Won finds himself struggling to maintain his record-breaking stats, his coach suggests Sang Ha step in to help as a pacemaker. Disappointed in the coach’s decision, Jin Won is anything but friendly to his new partner but with time and determination, the two runners come to find they share a similar passion, both on the track and off.

🎬 Mr. Heart Episode 7, 8 Online Free 🎬

Episode 7 : http://watchepisode.online-tvs.com/series/386736/1/7

Episode 8 : http://watchepisode.online-tvs.com/series/386736/1/8

Title : Mr. Heart Episode Title : 7 & 8 Release Date : 02 Oct 2020 Runtime : 10 minutes Genres : Comedy , Drama , Mini-Series , Romance Networks : Viki

Mr. Heart Mr하트

Despite the fact that things just never seem to go his way, Sang Ha always manages to find a reason to smile. A member of the school track team, Sang Ha loves to run, but distance has never really been his thing. For Sang Ha, sprinting is what brings him the most joy.

Jin Won, on the other hand, is exactly the opposite. A record breaking marathon runner in high school, Jin Won is well on his way to becoming a marathon superstar. Determined to live up to the expectations of his coaches and colleagues, Jin Won cares about one thing and one thing only: running his next race.

Show Info

Web channel: Viki (2020 - now) Schedule: Fridays Status: Running Language: Korean Show Type: Scripted Genres: Drama Romance Episodes ordered: 8 episodes

With dozens of films genre being released each year, a typical one that gets overlooked by the more popular ones (action, drama, comedy, animation, etc.) is the subgenre category of religious movie. These films (sometimes called “faith-based” features) usually center around the struggles and ideas of a person (or groups) identity of a religious faith, which is, more or less, has a profound event or obstacle to overcome. While not entirely, the most commonplace religious type movies focus on the religion of Christianity, sometimes venturing back into the past in cinematic retelling classic biblical tales, including famed epic films like Ten Commandments and Ben-Hur (the original 1959 version) to some more modern endeavors from Hollywood like Risen, The Young Messiah, and Paul, Apostle of Christ. Other Christian “faith” films finds a more contemporary setting to tell its story, with some being “based on a true-life account” like the movies Unconditional, Heaven is Real, Unbroken, I Can Only Imagine, Indivisible, and Miracles from Heaven, while others might find inspiration from literary novels / fictionalized narratives like The Shack, Overcomer, War Room, and Same Kind of Different as Me. Regardless, whether finding inspiration from true life, references from the bible, or originality, these movies usually speaks on a person’s faith and the inner struggle he or she has within or one society’s views, spreading a message of belief and the understand of one’s belief. Now, after the success of 2018’s I Can Only Imagine, directors Andrew and Jon Erwin (the Erwin Brothers) and Lionsgate studios release the 2020 faith-based film / music biopic feature I Still Believe. Does the film walk a fine line between its religious aspects and cinematic entertainment or does the movie get entangled in its own faith-based preaching?

THE STORY

Its 1999 and Jeremy Camp (K.J. Apa) is a young and aspiring musician who would like nothing more than to honor his God through the power of music. Leaving his Indiana home for the warmer climate of California and a college education, Jeremy soon comes across one Melissa Henning (Britt Robertson), a fellow college student that he takes notices in the audience at a local concert. Falling for cupid’s arrow immediately, he introduces himself to her and quickly discovers that she is attracted to him too. However, Melissa holds back from forming a budding relationship as she fears it will create an awkward situation between Jeremy and their mutual friend, Jean-Luc (Nathan Parson), a fellow musician and who also has feeling for Melissa. Still, Jeremy is relentless in his pursuit of her until they eventually find themselves in a loving dating relationship. However, their youthful courtship with each other comes to a halt when life-threating news of Melissa having cancer takes center stage. The diagnosis does nothing to deter Jeremey’s love for her and the couple eventually marries shortly thereafter. Howsoever, they soon find themselves walking a fine line between a life together and suffering by her illness; with Jeremy questioning his faith in music, himself, and with God himself.

THE GOOD / THE BAD

Sorry if this sounds a bit familiar pieces from my review of I Can Only Imagine, but it definitely says what I feel about these films. While I am a devout Christian (not a crazy zealot or anything like that) for my bases of religion and my outlook beliefs in life, I’m not a huge fan of the “faith-based” feature films. That’s not to say that they’re bad or that I find them deplorable to the other more popular movie genres out there, but sometimes they can a bit preachy and corny / honky in their religious overtones and overall dramatic direction. Personally, I like the more biblical tales that Hollywood as put over, with Cecil B. Demile’s The Ten Commandments and William Wyler’s Ben-Hur; both of have proven to stand the test of time within filmmaking. Of course, Hollywood’s recent trend of put out more “remakes” movies puts an overcast on those biblical epics with 2014’s Exodus: Gods and Kings and 2016’s Ben-Hur; both of which failed to capture a sense of cinematic integrity and had a messy religious outlook in its zeal aspect. Of late, however, Hollywood as retreated more into contemporary pieces, finding narratives that are, more or less, set in a more “modern” day and age to their Christian-faithful based features. As I mentioned above, some have found success in their literary forms (being based on a book and adapted to the big screen), but most derive their inspiration from true life accounts, translating into something that’s meant to strike a chord (with moviegoers) due to its “based on a true story” aspect and nuances. Again, some are good (as I liked Unbroken and The Shack), while others kind of become a bit too preachy and let the religious overtures hamper the film, making them less-than desirable to mainstream audiences or even members of their own faiths. Thus, these religious-esque films can sometimes be problematic in their final presentation for both its viewers and in the film itself; sometimes making the movie feel like a TV channel movie rather than a theatrical feature film. This brings me around to talking about I Still Believe, a 2020 motion picture release of the Christian religious faith-based genre. As almost customary, Hollywood usually puts out two (maybe three) films of this variety movies within their yearly theatrical release lineup, with the releases usually being around spring time and / or fall respectfully. I didn’t hear much when this movie was first announced (probably got buried underneath all the popular movies news on the newsfeed). My first actual glimpse of the movie was when the film’s movie trailer was released, which looked somewhat interesting to me. Yes, it looked the movie was gonna be the typical “faith-based” vibe, but it was going to be directed by the Erwin Brothers, who directed I Can Only Imagine (a film that I did like). Plus, the trailer for I Still Believe premiered for quite some time, so I kept on seeing it a lot of time when I went to my local movie theater. You can kind of say that it was a bit “engrained in my brain”. Thus, I was a bit keen on seeing it. Fortunately, I was able to see it before the COVID-19 outbreak closed the movie theaters down (saw it during its opening night), but, due to work scheduling, I haven’t had the time to do my review for it…. until now. And what did I think of it? Well, it was pretty “meh”. While its heart is definitely in the right place and quite sincere, I Still Believe is a bit too preachy and unbalanced within its narrative execution and character developments. The religious message is clearly there, but takes too many detours and not focusing on certain aspects that weigh the feature’s presentation. As mentioned, I Still Believe is directed by the Erwin Brothers (Andrew and Jon), whose previous directorial works include such films like Moms’ Night Out, Woodlawn, and I Can Only Imagine. Given their affinity attraction religious based Christian movies, the Erwin Brothers seem like a suitable choice in bringing Jeremy Camp’s story to a cinematic representation; approaching the material with a certain type of gentleness and sincerity to the proceedings. Much like I Can Only Imagine, the Erwin Brothers shape the feature around the life of a popular Christian singer; presenting his humble beginnings and all the trials and tribulations that he must face along the way, while musical songs / performance taking importance into account of the film’s narrative story progression. That’s not to say that the movie isn’t without its heavier moments, with the Erwin, who (again) are familiar with religious overtones themes in their endeavors, frame I Still Believe compelling messages of love, loss, and redemption, which (as always) are quite fundamental to watch and experience through tragedy. This even speaks to the film’s script, which was penned by Erwin brothers playing double duty on the project, that has plenty of heartfelt dramatic moments that will certainly tug on the heartstrings of some viewers out there as well as provide to be quite an engaging tale of going through tragedy and hardship and finding a redemption arc to get out of it. This is especially made abundantly clear when dealing with a fatal illness that’s similar to what Melissa undergoes in the film, which is quite universal and reflective in everyone’s world, with the Erwin Brothers painting the painful journey that Melissa takes along with Jeremy by her side, who must learn to cope with pain of a loved one. There is a “double edge” sword to the film’s script, but I’ll mention that below. Suffice to say, the movie settles quickly into the familiar pattern of a religious faith-based feature that, while not exactly polished or original, can be quite the “comfort food” to some; projecting a wholesome message of faith, hope, and love. Personally, I didn’t know of Jeremy Camp and the story of he and Melissa Henning, so it was quite a poignant journey that was invested unfolding throughout the film’s proceedings. As a side-note, the movie is a bit a “tear jerker”, so for those who prone to crying during these dramatic heartfelt movies….get your tissues out. In terms of presentation, I Still Believe meets the industry standard of a religious faith-based motion pictures. Of course, theatrical endeavors like these don’t really have big budged production money to invest in the film’s creation. Thus, filmmakers have to spend their money wisely in bringing their cinematic tales to life on the silver screen. To that effect, the Erwin Brothers smartly utilized this knowledge in the movie’s creation; budgeting the various aspects of the background and genetic theatrical make-up that feel appropriate and genuine in the film’s narrative. So, all the various “behind the scenes” team / areas that I usually mention (i.e. production designs, set decorations, costumes, and cinematography, etc.) are all relatively good as I really don’t have much to complain (whether good or bad) about them. Again, they meet the industry standard for a faith-based movie. Additionally, the musical song parts are pretty good as well. As mentioned, I really didn’t know anything about Jeremy Camp, so I couldn’t say what songs of his were good, but the songs that are presented in the film were pretty decent enough to certain highlight points throughout the movie. Though they are somewhat short (assuming not the whole song is being played), but still effectively good and nice to listen to. Might have to check out a few of the real songs one day. Lastly, the film’s score, which was done by John Debney, fits perfect with this movie; projecting the right amount of heartfelt tenderness in some scenes and inspirational melodies of enlightenment in others. Unfortunately, not all is found to be pure and religiously cinematic in the movie as I Still Believe gets weighed down with several major points of criticism and execution in the feature. How so? For starters, the movie feels a bit incomplete in Jeremy Camp’s journey. What’s presented works (somewhat), but it doesn’t hold up, especially because the Erwin Brothers have a difficult time in nailing down the right narrative path for the film to take. Of course, the thread of Jeremy and Melissa are the main central focus (and justly so), but pretty much everything else gets completely pushed aside, including Jeremy’s musical career rise to stardom and many of the various characters and their importance (more on that below). This also causes the film to have a certain pacing issues throughout the movie, with I Still Believe runtime of 116 minutes (one hour and fifty-six minutes) feeling longer than it should be, especially with how much narrative that the Erwin Brothers skip out on (i.e. several plot chunks / fragments are left unanswered or missing). Additionally, even if a viewer doesn’t know of Jeremy Camp’s story, I Still Believe does, for better or worse, follow a fairly predictable path that’s quite customary for faith-based movie. Without even reading anything about the real lives of Jeremy and Melissa prior to seeing the feature, it’s quite clearly as to where the story is heading and what will ultimately play out (i.e. plot beats and theatrical narrative act progression). Basically, if you’ve seeing one or two Christian faith-based film, you’ll know what to expect from I Still Believe. Thus, the Erwin Brothers don’t really try to creatively do something different with the film…. instead they reinforce the idealisms of Christian and of faith in a formulaic narrative way that becomes quite conventional and almost a bit lazy. There is also the movie’s dialogue and script handling, which does become problematic in the movie’s execution, which is hampered by some wooden / forced dialogue at certain scenes (becoming very preachy and cheesy at times) as well as the feeling of the movie’s story being rather incomplete. There’s a stopping point where the Erwin Brothers settle on, but I felt that there could’ve more added, including more expansion on his music career and several other characters. Then there is the notion of the film being quite secular in its appeal, which is quite understandable, but relies too heavy on its religious thematic messages that can be a bit “off-putting” for some. It didn’t bother me as much, but after seeing several other faith-based movies prior to this (i.e. I Can Only Imagine, Overcomer, Indivisible, etc.), this particular movie doesn’t really rise to Cursed in Love and falls prey to being rather generic and flat for most of its runtime. As you can imagine, I Still Believe, while certainly sincere and meaningful in its storytelling, struggles to find a happy balance in its narrative and execution presentation; proving to be difficult in conveying the whole “big picture” of its message and Jeremey Camp’s journey. The cast in I Still Believe is a mixed bag. To me, none of the acting talents are relatively bad (some are better than others…. I admit), but their characterizations and / or involvement in the film’s story is problematic to say the least. Leading the film’s narrative are two protagonist characters of Jeremy Camp and Melissa Henning, who are played by the young talents of K.J. Apa and Britt Robertson respectfully. Of the two, Apa, known for his roles in Riverdale, The Last Summer, and The Hate U Give, is the better equipped in character development and performance as the young and aspiring musical talent of Jeremy Camp. From the get-go, Apa has a likeable charm / swagger to him, which make his portrayal of Jeremy immediately endearing from onset to conclusion. All the scenes he does are well-represented (be it character-based or dramatic) and certainly sells the journey that Jeremy undergoes in the movie. Plus, Apa can also sing, which does lend credence to many of the scene’s musical performance. For Robertson, known for her roles in Tomorrowland, Ask Me Anything, and The Space Between Us, she gets hampered by some of the film’s wooden / cheesy dialogue. True, Robertson’s performance is well-placed and well-mannered in projecting a sense of youthful and dewy-eyed admiration in Mellissa, especially since the hardships here character undergoes in the feature, but it’s hard to get passed the cringeworthy dialogue written for her. Thus, Robertson’s Melissa ends up being the weaker of the two. That being said, both Apa and Robertson do have good on-screen chemistry with each other, which certainly does sell the likeable / loving young relationship of Jeremy and Melissa. In more supporting roles, seasoned talents like actor Gary Sinise (Forest Gump and Apollo 13) and musician singer Shania Twain play Jeremey’s parents, Tom and Terry Camp. While both Sinise and Twain are suitable for their roles as a sort of small town / Midwest couple vibe, their characters are little more than window dressing for the feature’s story. Their screen presence / star power lends weigh to the project, but that’s pretty much it; offering up a few nuggets to bolster a few particular scenes here and there, which is disappointing. Everyone else, including actor Nathan Parsons (General Hospital and Nadia: The Secret of Blue Water) as musical talent and mutual friend to both Jeremy and Melissa, Jean-Luc Lajoie, young actor Reuben Dodd (The Bridge and Teachers) as Jeremy’s handicapped younger brother, Joshua Camp, and his other younger brother, Jared Camp (though I can’t find out who played him the movie), are relatively made up in smaller minor roles that, while acted fine, are reduced to little more than just underdeveloped caricatures in the film, which is a shame and disappointing.

FINAL THOUGHTS

The power of faith, love, and affinity for music take center stage in Jeremy Camp’s life story in the movie I Still Believe. Directors Andrew and Jon Erwin (the Erwin Brothers) examine the life and times of Jeremy Camp’s life story; pin-pointing his early life with his relationship Melissa Henning as they battle hardships and their enduring love for one another through difficult times. While the movie’s intent and thematic message of a person’s faith through trouble times is indeed palpable as well as the likeable musical performances, the film certainly struggles to find a cinematic footing in its execution, including a sluggish pace, fragmented pieces, predicable plot beats, too preachy / cheesy dialogue moments, over utilized religious overtones, and mismanagement of many of its secondary /supporting characters. To me, this movie was somewhere between okay and “meh”. It was definitely a Christian faith-based movie endeavor (from start to finish) and definitely had its moments, but it just failed to resonate with me; struggling to find a proper balance in its undertaking. Personally, despite the story, it could’ve been better. Thus, my recommendation for this movie is an “iffy choice” at best as some will like (nothing wrong with that), while others will not and dismiss it altogether. Whatever your stance on religious faith-based flicks, I Still Believe stands as more of a cautionary tale of sorts; demonstrating how a poignant and heartfelt story of real-life drama can be problematic when translating it to a cinematic endeavor. For me, I believe in Jeremy Camp’s story / message, but not so much the feature.